Drishyam 3

Five years after the events of Drishyam 2, Georgekutty’s life appears stable. He has adapted the story of his past into a successful film and continues to live with his family while attempting to move forward. However, journalists Yami and Rony begin investigating possible real-life inspirations behind the film, particularly the circumstances surrounding Varun’s death. Georgekutty denies any connection between the film and real events, despite increasing public scrutiny.

Meanwhile, Georgekutty encounters Jose and Mary, who seek his forgiveness for past wrongdoing. He assures them that Jose’s actions were not wrong and provides financial assistance to help them restart their lives. Jose also becomes a trusted friend and confidant of Georgekutty. At home, Georgekutty and Rani search for a suitable marriage proposal for their daughter Anju through the marriage broker Mathayi. However, each promising alliance is repeatedly disrupted by anonymous interference. Georgekutty later traces the calls with assistance from retired police officer Suresh Babu and identifies the callers as Rajan and his wife Shanthi. Rajan, previously suspended for assisting Georgekutty, had suffered severe personal and financial consequences, including his daughter’s educational disruption and a suicide attempt that left her unable to speak. Feeling abandoned after Georgekutty failed to recognize his situation, Rajan develops resentment toward him.

Shortly afterward, Georgekutty becomes aware of suspicious activity near his plantation after Rani reports seeing an unknown person in the area. He discovers that a pit had been dug and later refilled. While investigating, he is secretly observed by Sahadevan. Sahadevan, who was suspended from police service, has since become unstable and financially desperate. He begins investigating Georgekutty in an effort to uncover evidence related to Varun’s death and to have him arrested. In the process, Sahadevan forcibly obtains medical records from Dr. Ranjini, Anju’s psychiatrist, and intimidates Pathrose to gather further information. He also retrieves details related to the unidentified skeletal remains previously used in the case. His activities are reported to Inspector general of police Thomas Bastin by Sabu, leading to Sahadevan’s questioning and subsequent arrest order. However, Sahadevan refuses to cooperate.

At the same time, Bastin is approached by Prabhakar, who reveals that Geetha, now living in the United States, has developed severe depression following Varun’s funeral and the unresolved circumstances surrounding his death. Motivated by concern for her condition and resentment toward Georgekutty’s continued freedom, Prabhakar decides to act against him. He collaborates with Sahadevan and Bastin to gather evidence and reopen the case. Prabhakar later orchestrates a marriage proposal for Anju with Avira, a UAE-based businessman whom he has secretly manipulated into cooperation by resolving his financial difficulties. He also influences marriage brokers to ensure the proposal is accepted.

Prabhakar and Bastin then plan to entrap Georgekutty by staging an incident in which Anju is drugged and falsely implicated in the death of Avira. The plan includes the use of falsified psychiatric records suggesting that Anju suffers from Sexual Aversion Syndrome, allegedly causing violent behavior when approached. This is intended to link the staged incident to Varun’s earlier death and secure convictions against Georgekutty and Anju. However, the plan begins to unravel when Sahadevan deviates from the agreed sequence of events. During the staged encounter, Anju unexpectedly regains consciousness, causing panic. Sahadevan and Avira flee, and Anju is left injured. Georgekutty arrives shortly thereafter and deduces that the pit on his plantation was intended for concealment of Avira’s body. He mobilizes local support through his brother-in-law Rajesh, preventing further concealment of evidence, and along with Jose, he later locates Sahadevan, who is brutally assaulted and injured with a sharp dagger and coerced into recording a confession implicating Prabhakar and Bastin.

Following these events, Georgekutty offers to surrender to the police, accompanied by Advocate Renuka, while setting conditions regarding his family’s safety. Prabhakar, however, rejects the confession evidence and threatens continued action against Anju. Georgekutty responds by stating that he will not hesitate to use force if his family is endangered. Renuka later learns that Anju was attacked by Georgekutty himself in order to misdirect the investigation and protect her from external threats, with Sahadevan being framed for the act. As Georgekutty’s surrender is broadcast publicly, Prabhakar confronts Geetha, who remains emotionally devastated and expresses that she still does not feel closure, indicating ongoing psychological trauma within the family. Although hearing that Georgekutty surrendered, Geetha is not fully satisfied and wants Anju to be next, making Prabhakar in turmoil.

Kunchacko Boban, Asif Ali, Rahman, Joju George, and Nimisha Sajayan appear in archive footages from certain films .

The film's songs and background score were composed by Anil Johnson, who worked for the franchise and the music was released by Panorama Music. The film has only one single, titled "Ini Varumo", which was released on 18 May 2026 and its female version was released on 20 May 2026. The full background score album was released on 3 June 2026.

Drishyam 3 received positive reviews from critics. On the review aggregator website Rotten Tomatoes, 78% of 16 critics' reviews are positive, with an average rating of 7/10.

Rating 4 out of 5 stars, Suchin Mehrotra of The Quint described it as "a solid third chapter" and "a worthy sequel and continuation of Georgekutty’s journey, and I can’t think of a greater compliment".^[30] Sia Viju of Mathrubhumi, who also gave 4 out of 5 stars, noted that "Jeethu Joseph adopts a slightly different narrative rhythm here, choosing to explore emotional repercussions rather than purely relying on twists or procedural drama".^[31] Vishal Menon of The Hollywood Reporter India called the film a "mostly satisfying conclusion", noting that "the storytelling elevates Drishyam 3 beyond thriller territory into a complex morality tale".^[32]

Calling it "a hattrick", Athulya Nambiar of Mid-Day remarked that "it may seem that the twists and turns in the third film are not as elaborate or impactful as those in the earlier instalments. But that is precisely the point. Unlike the previous films, Georgekutty is never entirely in control of the narrative in Drishyam 3. He is constantly reacting to situations rather than orchestrating them".^[33] Bhawana Tanmayi of Moneycontrol rated 3.5 out of 5 stars and wrote that "the film has enough suspense and drama to satisfy fans of the franchise thanks to Mohanlal’s commanding performance and Jeethu Joseph’s storytelling".^[34]

Vignesh Madhu of The New Indian Express gave 3 out of 5 stars, describing it as "short on thrills, not soul". The film has "Mohanlal shining the best as the vulnerable Georgekutty, while Jeethu Joseph’s writing takes a hit despite some brave calls".^[35] Divya P. of Deccan Herald rated 3 out of 5 stars, stating that the "credit goes to Jeethu for creating Georgekutty, for whom the audience still roots for. Mohanlal ably anchors the film with his compelling performance", although she felt "Drishyam 3 does not quite meet the standards set by its predecessors".^[36] Anjana George of The Times of India awarded 3 out of 5 stars and wrote: "Jeethu Joseph attempts to explore guilt, paranoia, and psychological exhaustion more than suspense this time. The focus is not entirely on investigation or survival, but on how violence silently continues to exist inside relationships, memory, and everyday life".^[37]

Latha Srinivasan of NDTV gave 2.5 out of 5 stars, writing that "Drishyam 3 is not as thrilling and grilling as the previous two films but it is a must watch for Mohanlal and what Georgekutty represents".^[38] Janani K. of India Today gave 2.5 out of 5 stars, describing it as "a sequel that prioritises drama over intelligence. While the film has some meaty ideas that could make for a brilliant thriller, it settles for less because of its writing", but praised the actors' performances.^[39]

Gayathri Kallukaran of the Eastern Eye wrote that "Drishyam 3 may not deliver the Georgekutty many expected, but it offers a version of the character shaped by years of fear, guilt and survival. That change is likely to define much of the conversation around the film".^[40] Anandu Suresh of The Indian Express gave 2.5 out of 5 stars, writing that the "script feels all over the place, evidently torn between the writer-director's attempts to make it both an emotional drama and a crime thriller". However, "only Mohanlal delivers a performance worth mentioning. He highlights the many layers of Georgekutty's psyche with finesse, especially in the climax".^[41]

S. R. Praveen of The Hindu wrote that "Mohanlal’s interpretation of Georgekutty’s character saves the film from getting completely bogged down by director Jeethu Joseph’s outdated visual style and heavy-handed drama".^[42] Neeshita Nyayapati of the Hindustan Times gave 2 out of 5 stars, calling it "the weakest in Jeethu Joseph's hit franchise. It struggles even with its much-hyped twists".^[43]

Several online publications also analyzed the hidden narrative details and behind-the-scenes secrets that contributed to the film's massive success.^[44]

The Hindi remake of the same name, directed by Abhishek Pathak, is scheduled to be released on 2 October 2026.^[45]

During an appearance on a Reporter TV programme following the release of Drishyam 3, director Jeethu Joseph addressed speculation about a fourth installment of the franchise. He stated that while he had previously intended Drishyam 3 to conclude Georgekutty's story, the audience response and discussions surrounding the film had prompted him to think about the possibility of continuing the series. Joseph said that he had begun considering ideas for a potential Drishyam 4, but emphasized that he would proceed only if he could develop a storyline that matched the standards and expectations associated with the Drishyam franchise. He added that the post-credit scene was designed to leave open the possibility of further exploration rather than serve as a definitive announcement of another sequel.^[46]