Durk Pearson
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Durk Pearson | |
|---|---|
| Born | August 19, 1943 |
| Died | October 26, 2024 (aged 81) |
| Occupation | writer and life extension advocate |
| Nationality | American |
| Education | Massachusetts Institute of Technology |
| Notable works | Life Extension: A Practical Scientific Approach |
| Spouse | |
Durk Pearson (August 19, 1943 – October 26, 2024)[1] was a research scientist best known for coauthoring a series of books on longevity, beginning with Life Extension: A Practical Scientific Approach.
While a student at the Massachusetts Institute of Technology, he was a member of the MIT Science Fiction Society and one of the writers for the early underground comic God Comics. Pearson graduated from MIT with a triple major in physics, biology, and psychology.[2]
Career
Publications
Pearson and his wife, Sandy Shaw, are the authors of Life Extension: A Practical Scientific Approach[7] (ISBN 0-446-51229-X, Warner Books, 1982), The Life Extension Companion[8] (Warner Books), The Life Extension Weight Loss Program, and Freedom of Informed Choice: FDA v. Nutrient Supplements, (Common Sense Press, 1993). The couple have written numerous articles on life extension, cognitive enhancement, anti-aging, weight loss, and other aspects of nutrition.[citation needed]
Television, film, and video
Pearson and Shaw wrote, designed the stunts, and acted as technical advisors for a 1978 episode of The Wonderful World of Disney, called "Black Holes, Monsters That Eat Space and Time."[9] They acted as scientific and technical advisors and received screen credits for the Clint Eastwood film Firefox.[10] They received screen credits for acting as technical advisors for Douglas Trumbull's film Brainstorm, starring Christopher Walken and Natalie Wood.[11] In 1988, Steve Sharon, Pearson, and Shaw wrote the thriller The Dead Pool, which was later sold to Warner Bros. and made into a film, once again starring Clint Eastwood, in his fifth and final appearance as “Dirty” Harry Callahan.[12] Pearson and Shaw make a cameo appearance in the funeral scene. They are standing directly behind the bereaved.