Dyad (novel)
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![]() Cover of the 1st edition | |
| Author | Michael Brodsky |
|---|---|
| Cover artist | Chris Wise |
| Language | English |
| Genre | Postmodern crime |
| Published | 1989 (Four Walls Eight Windows) |
| Media type | Print (clothbound hardcover, paperback) |
| Pages | 299 |
| ISBN | 978-0-941423-30-4 |
Dyad is Michael Brodsky's fourth novel. It is narrated by an urban lowlife known only as X—. He is hired by the dying tycoon Jamms, who wants X— to convince Jamms's estranged artist son Jim to come home, and let bygones be bygones.
The "dyad" of the title refers to two people who are linked, what Beckett called a "pseudo-couple".[1] X—, speaking about Jim, says:
We were constructed to be polar opposites so that the story—our story—might be born.
As is clear from the above quotation, metafictional issues are present in the novel. X— makes frequent reference to the "story-mongers" and "meaning-mongers", and is constantly trying to figure out whether trivial matters that happen qualify as "incidents" or "events" or are otherwise "part of the story".
Brodsky, on the copyright page, acknowledges Noël Burch Theory of Film Practice (1973), translated from Praxis du cinema (1969), for an idea that he explores in the novel.[2]
