Edith Ingpen

Edith Constance Ingpen was born to Emma Louisa and Walter Cecil Ingpen on 24 July 1909 in Armadale, Victoria.^[2] Ingpen's father Walter Cecil Ingpen was a middle-class professional and held a position as a legal manager of the Royal Insurance company, 414 Collins St Melbourne when Ingpen was a child. Ingpen was a naturally shy person, which was not helped by a slight deafness and poor sense of smell.^[3] She never married, and did not have any children. From a young age, Ingpen wanted to be a painter and artist.

For 1926, Ingpen was enrolled in the Diploma of Architecture course at Melbourne University. The diploma required a practical component in which students were articled at an architecture office. Ingpen articled at the offices of E.J & C.L Ruck.^[4] Soon after the university introduced a five-year bachelor's degree, into which Ingpen quickly transferred. The first three years consisted of full time study, with the final two being day time employment and night classes. She continued to work in the office of C.L Ruck during her study, and graduated from the Melbourne University Atelier in 1933.^[5] Ingpen was the first woman to receive Bachelor of Architecture degree from Melbourne University.^[6][7]

She died in the United Kingdom in January 2006.

Before fully completing her degree, in 1932 Ingpen began work with Harold Desbrowe-Annear who made her an associate of the practice (Desbrowe Annear & Associates).^[4] Annear, suffering from diabetes, died a year later,^[4] and Ingpen then decided to set up office for herself, taking a room in the rented office next to her father (allowing them to share costs).^[8] At the same time, she had taken on her first commission, a block of flats in East Melbourne, which was built 1933–34. It appears as though Ingpen's business was initially successful, winning many domestic commissions. After a little while in business Ingpen had enough time and money to enroll in the National Gallery of Victoria Art School and began taking classes.^[3]

As a young woman in business for herself Ingpen attracted a considerable amount of attention. She was interviewed by journalists and gave a lecture tour for the Country Women's Association^[9] among others. In 1936, Ingpen was described by Nora Cooper in the Australian Home Beautiful as "one of the best known women architects practicing solo in Melbourne."^[10]

In 1939 Ingpen was elected an associate member of the Royal Victorian Association of Architects.^[11]

After the beginning of World War II Ingpen found it more difficult to get commissions, and this in combination with the retirement of her father meant she could not longer afford to keep her office open.^[3][4] Following the closure of her office Ingpen began work with the Victorian Public Works Department (VPWD) on or around 1941.^[4]

During her time at the VPWD Ingpen was paid less than her male counterparts. She fought an ongoing battle with the public works board for fair pay. In or about 1965 she was passed over for a promotion for which she had been recommended by the Chief Architect. Ingpen was told that notwithstanding the fact that she was the best and most qualified person for the job, it was inappropriate and beneath the VPWD to hire a woman for the position.^[6] At this point, she lost patience with the VPWD and resigned in 1965.^[4]

Following her resignation Ingpen retired to England, with the intention of taking up painting.^[12][4] In Bristol she enrolled in the Royal West of England Academy of Art.^[6]