Eegyvudluk Pootoogook

Pootoogook was part of the West Baffin Eskimo Co-operative, where he worked alongside Iyola Kingwatsiak and Lukta Qiaqsuq.^[5][6][7] He was one of Kinngait's eminent printmakers of the 1980s,^[5] and sculpted as well.^[8][9] He was known to have tried a variety of printmaking techniques, including linocut, lithography, etching, stonecut, stonecut and stencil, sealskin stencil, stencil, and silkscreen and stencil.^[2] His works frequently depicted animals native to Nunavut, including Arctic hares,^[10] bears,^[11][12] geese,^[13] and muskox.^[14] He also created images of sea spirits.^[15][9]

Pootoogook's work is held in the permanent collections of several museums, including the Tate,^[16] the Agnes Etherington Art Centre,^[17] the Museum of Anthropology at UBC,^[18] the Canadian Museum of History,^[19] the University of Lethbridge Art Collection^[8] the National Gallery of Canada,^[20] and the University of Michigan Museum of Art.^[9]

In the mid-1950s, he married artist Napachie Pootoogook, daughter of Pitseolak Ashoona, in an arranged marriage. They married in Kaiktuuq, Nunavut, then moved to Cape Dorset where they lived for most of their marriage, except for two years spent living in Iqaluit.^[21] They had eleven children (many of whom died young) ^[22] including the artist Annie Pootoogook (1969–2016).^[23]