Ein Heller und ein Batzen

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"Ein Heller und ein Batzen" in Das neue Soldaten-Liederbuch. Die bekanntesten und meistgesungenen Lieder unserer Wehrmacht. Mainz 1938

"Ein Heller und ein Batzen", also known by its chorus of "Heidi, heido, heida",[1] (with all three words being modifications of the name Adelheid)[2] is a German folk song. Written by Albert von Schlippenbach [de] in the 1820s as a student drinking song, it later became a popular marching song in the Wehrmacht during the Second World War.[3][4]

Franz Theodor Kugler set Schlippenbach's poem as a commercium song in 1830.[5] While the poem was published in several collections, Kugler's melody did not receive popular success. Gottfried Wilhelm Fink wrote a new melody in 1853[6] This version was also published in Franz Magnus Böhme's Volksthümliche Lieder der Deutschen im 18. und 19. Jahrhundert[7] and the Allgemeines Deutsches Kommersbuch[8] The only melody used now appeared in the 20th century and was popular in the Wandervogel movement. This version was also published in the 1938 Neues Soldaten-Liederbuch [New soldiers' songbook].[9]

The words heller and batzen refer to two Swiss/southern German coins, similar to penny and threepence.

Lyrics

Ein Heller und ein Batzen,
die waren beide mein,
der Heller ward zu Wasser,
der Batzen ward zu Wein.
Refrain:
𝄆 Heidi, heido, heida, 𝄇
heidi, heido, heida, la la la la la la la,
𝄆 Heidi, heido, heida, 𝄇 (3×)

Die Wirtsleut und die Mädel,
die rufen beid: Oh weh!
Die Wirtsleut, wenn ich komme,
die Mädel, wenn ich geh.
Refrain

Meine Strümpfe sind zerrissen,
meine Stiefel sind entzwei,
und draußen auf der Heide,
da singt der Vogel frei.
Refrain

Und gäb's kein Landstraß nirgends,
da säß ich still zu Haus,
und gäb's kein Loch im Fasse,
da tränk ich gar nicht draus.
Refrain

War das 'ne große Freude,
als ihn der Herrgott schuf;
ein Kerl, wie Samt und Seide,
nur schade, daß er suff.
Refrain

A heller and a batzen,
they were both mine,
the heller went for water,
the batzen went for wine.
Refrain




The innkeepers and the girls,
both shout: Oh no!
The innkeepers when I come,
the girls when I leave.
Refrain

My socks are ripped,
my boots have come apart,
and out in the brush
the bird sings freely.
Refrain

And were there no country roads,
I'd be sitting quietly at home,
and were there no hole in the barrel,
I wouldn't be drinking from it.
Refrain

Wasn't it a great joy
when the Lord God created him,
a guy like velvet and silk;
just a pity that he drank.
Refrain

Melody


\header { tagline = ##f }
\layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } }

global = { \key c \major \time 4/4 \partial 4 }

TenorVoiceI = \relative c' { \global \autoBeamOff
  c4 | c g' e c | b (g') g4. g8 | g2~ g8 a g f | e4 a g
  e | f a c c | c2 g4. c8 | b2~ b8 a g f | e4 a g
  e | f a c c | e2 c4. c8 | d2~ d8 f e d | c2. r4 \bar "||"
  g2 a4 g | e4. e8 e2 | c'2 d4 c | a4. a8 a4.
  c8 | b4. g8 e'4. d8 | c-. c-. b-. a-. g-. f-. e-. d-. |
  g2 a4 g | e4. e8 e2 | c'2 d4 e | f4. a,8 a4.
  c8 | b4. g8 e'4. d8 | c2. \bar "|."
}

verse = \lyricmode {
  Ein Hel -- ler und ein Bat -- zen,
  die war -- en bei -- de mein, ja mein;
  der Hel -- ler ward zu Was -- ser,
  der Bat -- zen ward zu Wein, ja Wein,
  der Hel -- ler ward zu Was -- ser,
  der Bat -- zen ward zu Wein.
  Hei -- di, hei -- do, hei -- da; hei -- di, hei -- do, hei -- da;
  hei -- di, hei -- do, hai -- da la la la la la la la;
  hei -- di, hei -- do, hei -- da; hei -- di, hei -- do, hei -- da;
  hei -- di, hei -- do, hai -- da.
}

TenorVoiceII = \relative c' { \global \autoBeamOff
  c4 | c g' e c | b (g') g4. g8 | g2~ g8 f e d | c4 f e
  c | c f a a | e2 e4. e8 | g2~ g8 f e d | c4 f e
  c | c f a a | g2 e4. e8 | f2~ f8 a g f | e2. r4 \bar "||"
  e2 f4 e | c4. c8 c2 | e2 f4 e | f4. f8 f4.
  a8 | g4. e8 g4. f8 | e s8 s2. |
  e2 f4 e | c4. c8 c2 | e2 f4 g | a4. f8 f4.
  a8 | g4. e8 g4. f8 | e2. \bar "|."
}

kords = \chordmode { \set chordChanges = ##t \set ChordNames.midiInstrument = "acoustic guitar (nylon)"
  s4 | c,1\pp | g,:7 | g,:7 |
  c,4 f, c,2 |
  f,1 | c,1 |
  g,:7 c,4 f, c,2 |
  f,1 | c, |
  g,:7 | c,2. s4
  \set chordChanges = ##f c,1 | \set chordChanges = ##t c,1 | f, | f, |
  g, | c,1 |
  c,1 | c,1 | f, | f, |
  g, | c,2. \bar "|."
}

\score {
  <<
  \new ChordNames { \kords }
  \new Staff \with { \consists "Merge_rests_engraver" midiInstrument = "harmonica" } %  "accordion" }
    <<
      \new Voice { \voiceOne \TenorVoiceI }
      \new Voice { \voiceTwo \TenorVoiceII }
    >>
    \addlyrics { \verse }
  >>
  \layout { }
  \midi { \tempo 4=132 }
}

Controversy

Modern interpretations

References

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