El Farsante

2017 song by Ozuna From Wikipedia, the free encyclopedia

"El Farsante" (Spanish: "The Impostor" or "The Phony") is a song recorded by Puerto Rican singer Ozuna. It was released as a single in July 2017 as the third single from his debut album Odisea. A remixed version alongside American bachata singer Romeo Santos was released on January 30, 2018[1] while its music video premiered the same day.[2]

ReleasedJuly 7, 2017 (2017-07-07)
Recorded2017
Length
  • 3:54 (original version)
  • 4:18 (remix version)
Quick facts Single by Ozuna, from the album Odisea ...
"El Farsante"
Single by Ozuna
from the album Odisea
ReleasedJuly 7, 2017 (2017-07-07)
Recorded2017
Genre
Length
  • 3:54 (original version)
  • 4:18 (remix version)
Label
Songwriters
  • Joseph Negron
  • C. Ortíz
  • L. Ortíz
  • Ozuna
  • Saavedra
Producers
  • Alex Killer
  • Gaby Music
  • Yampi
  • Kronix Magical
  • Chris Jedi
Ozuna singles chronology
"Solita"
(2017)
"El Farsante"
(2017)
"Se Preparó"
(2017)
Romeo Santos singles chronology
"Bella y Sensual"
(2017)
"El Farsante" (remix)
(2018)
"Sobredosis"
(2018)
Music video
"El Farsante" on YouTube
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Production

The song "El Farsante" is a Latin R&B song. It includes a blend of Latin pop, and trap.

Background

In the song, Ozuna speaks of his want to reconcile and save his relationship with an unnamed partner.[3]

Music video

The remixed music video, featuring Romeo Santos, was released on January 30, 2018.[4] The video was shot in multiple locations of New York City and Caracas. It has gained over two billion views on YouTube as of February 2026.[5]

Charts

More information Chart (2018), Peak position ...
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Certifications

More information Region, Certification ...
Region CertificationCertified units/sales
Italy (FIMI)[18] 2× Platinum 200,000
Spain (Promusicae)[19] 5× Platinum 300,000

Sales+streaming figures based on certification alone.

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Release history

More information Region, Date ...
Region Date Version Format Label
Worldwide July 3, 2017 Original version
January 30, 2018 Remix version
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References

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