Eli Leon
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Eli Leon (1935–2018) born as Robert Stanley Leon, was an American psychologist, writer and collector. As a self-taught scholar of African-American quilts, he helped bring attention to the field and especially to the quilts of Rosie Lee Tompkins.
Leon was born in the Bronx in June 27, 1935, the son of first-generation Jews from Lithuania. He attended the High School of Music & Art and spent his summers at Black Mountain College, where he studied with potter Karen Karnes.[1]
He entered Oberlin College before transferring to Reed College in Portland, Oregon. He earned a Bachelor of Arts degree from Reed College in Psychology in 1958. He earned a Master's degree from the University of Chicago, where he trained in Reichian psychotherapy. In the late 1950s and early '60s, he was briefly married to his college girlfriend, although they both knew he was gay. Sometime after that he changed his first name to Eli and settled in Oakland, California.[1]
Collection
An obsessive collector, Leon became a regular at flea markets in and around Oakland, where his main focus became African-American quilts. He became an expert on the subject, traveling to Texas, Louisiana and Arkansas to conduct research. In 1989, he received a Guggenheim Fellowship to continue his research.[1]
Leon organized a number of exhibitions across the United States, for which he wrote the catalogs:
- Who'd a Thought It: Improvisation in African-American Quiltmaking (San Francisco Craft & Folk Art Museum, c. 1987)
- Models in the Mind: African Prototypes in American Patchwork (Winston-Salem, N.C.: Diggs Gallery: Winston-Salem State University, c. 1992)
- Arbie Williams Transforms the Britches Quilt (Regents of the University of California and the Mary Porter Sesnon Gallery, UCSC, 1993)
- "Showing up": Maximum-Contrast African-American Quilts (Richmond, CA: Richmond Art Center, 1996)
- Something Else to See: Improvisational Bordering Styles in African-American Quilts (University of Massachusetts at Amherst, c. 1997)
- No Two Alike : African-American Improvisations on a Traditional Patchwork Pattern (Columbia, S.C.: South Carolina State Museum, c. 1998)
- Something Pertaining to God (Shelburne, VT: Shelburne Museum, 2006)
- Accidentally on Purpose: The Aesthetic Management of Irregularities in African Textiles and African-American Quilts (Davenport, Iowa: Figge Art Museum, 2007)
