Else Schmitz-Gohr

German pianist From Wikipedia, the free encyclopedia

Else Schmitz-Gohr (12 August 1901 – 13 December 1987) was a German composer, pianist, and teacher who is best remembered for her Elegy for the Left Hand for piano, her successful students, and her recordings of Max Reger's works for piano.[1][2]

Schmitz-Gohr was born in Cologne. She studied at the Cologne Conservatory and the Stern Conservatory in Berlin. Her teachers included Franz Bolsche, Wilhelm Klatte, Dr. Otto Klauwell, James Kwast,[3] and Fritz Hans Rehbold. She socialized with sculptor Lili Graf.[4] In 1918, she debuted as a pianist under conductor Hermann Abendroth, and in 1922 won the Gustav Hollaender medal.[1]

Schmitz-Gohr toured throughout Germany and abroad as a pianist. She was known for her interpretation of modern composers, especially Max Reger, whose works she recorded commercially on LP KAS 30067 (Kaskade).[5][2] She taught at the Rheinische Musikschule, the State Academy of Music in Cologne, and the Stern Conservatory. Her students included Dietmar von Capitaine, York Höller,[6] Bernhard Klee,[1] Aloys and Alfons Kontarsky,[7] Georg Kroll,[8] Irene Vogel Osiander,[9] Erika Rademacher, Eckart Sellheim,[10] and Joachim Volkmann.[11]

Nareh Arghamanyan recorded works by Schmitz-Gohr on her album Femmes de Légende  Hänssler HC25026 (2025).

Compositions

Schmitz-Gohr's compositions were published by Schott Music.[12] They included:

Chamber

  • Allegro in G minor (violin and piano)[1]
  • Allegro Moderato in E minor (piano trio)[1]
  • Andante in G minor (piano trio)[1]
  • Kleine Flöten-Duette (two flutes)[9]

Orchestra

  • Overture in G minor[1]

Piano

  • Elegy for the Left Hand[1]
  • Fantasie in F major[1]
  • Suite[1]

References

Recordings

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