Elsinore (film)
2026 drama film by Simon Stone
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Elsinore is a 2026 biographical drama film directed by Simon Stone and written by Stephen Beresford, about Scottish actor Ian Charleson (1949–1990). It focuses on his performances as Hamlet at the National Theatre in the final months of his life, and the odds he faced in preparing for and performing the role while seriously ill from AIDS. It stars Andrew Scott as Charleson, alongside Olivia Colman as his doctor Margaret Johnson. The supporting cast includes Billie Piper, Johnny Flynn, Luke Thompson, David Dawson, Matthew Beard, Joe Locke, Juliet Stevenson and Peter Mullan.
by
- Ethan Silverman
- Andrea Occhipinti
- Gabrielle Tana
- Pete Shilaimon
- Mickey Liddell
- Stefano Massenzi
- Carolyn Marks Blackwood
- Andrew Scott
| Elsinore | |
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 British theatrical release poster | |
| Directed by | Simon Stone |
| Screenplay by | Stephen Beresford |
| Based on | an idea by
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| Produced by |
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| Starring | |
| Cinematography | Mike Eley |
| Edited by | Valerio Bonelli |
| Music by | Stefan Gregory[1] |
Production companies |
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| Distributed by |
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Release dates |
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Running time | 111 minutes |
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| Language | English |
The film had its world premiere at the 53rd Telluride Film Festival on 4 September 2026. It is scheduled to be theatrically released in the United States by Focus Features on 20 November 2026, in Italy on 28 January 2027 by Lucky Red and in the United Kingdom by StudioCanal on 29 January 2027.
Elsinore received positive reviews from critics with particular praise for Scott's performance.
Plot
In the autumn of 1989, 40-year-old actor Ian Charleson's film career has been stalled for many years since his early successes starring in Chariots of Fire (1981) and co-starring in Gandhi (1982). He yearns to return to the stage, where he has had several lead roles at the National Theatre.
When Daniel Day-Lewis as Hamlet suddenly walks off the stage mid-play and abandons Richard Eyre's production of Hamlet at the National, Charleson sees his chance. The problem is that Charleson has AIDS and has even developed Kaposi's sarcoma lesions. Margaret Johnson, Charleson's doctor at the Royal Free Hospital's AIDS ward, forbids him to undertake the strenuous role of Hamlet, which would severely threaten his already tenuous health. Charleson, however, is determined to seize this last opportunity for meaning, and Eyre hires him as Day-Lewis's replacement, fully aware of his health issues.
Derek Jarman, Charleson's early director in the anarcho-punk film Jubilee (1978), argues with him about being a closeted gay man in show business. Jarman is openly gay, and openly has AIDS. The two men cannot come to any agreement on this subject.
Charleson divides his time between hospital treatments and rehearsals or performances of Hamlet. Friends and loved ones rally round to support and care for him when his weakness and illness prevent him from doing anything at all. During a longer hospital stay, he is forced to tell his parents that he is gay and has AIDS. At the hospital he inspires, and jokes with, fellow AIDS patients who remember him from Chariots of Fire.
Rehearsing Hamlet at the National, none of the rest of the cast know that he has AIDS, though some suspect this. The show's audiences do not know this either, but only see a Hamlet who is remarkably haunting and resonant.
As his declining health permits, the dying Charleson manages 24 performances of Hamlet before he is too ill to continue in the role.
Cast
- Andrew Scott as Ian Charleson
- Olivia Colman as Margaret Johnson, Charleson's doctor
- Billie Piper as Patsy Pollock, a casting director who nurses Charleson during his last days
- Sadie Soverall as Alice, Patsy Pollock's daughter
- Johnny Flynn as Richard Eyre, who directs Charleson in Hamlet at the National Theatre
- Luke Thompson as Georgie, a close friend of Charleson's who is dying
- Monica Dolan as Linda Tolhurst, the National Theatre's longtime stage-door supervisor
- Joe Locke as Nicholas, a young fellow patient in the AIDS ward at the hospital
- Matthew Beard as Sean Mathias, a director and Charleson's close friend and caregiver
- David Dawson as Derek Jarman, an openly gay director who had directed Charleson in Jubilee, his first film role
- Louis Healy as Keith Collins, Derek Jarman's longtime companion and manager
- Dickie Beau as Sister Belladonna,[2] member of the London branch of the activist drag group the Sisters of Perpetual Indulgence[3]
- Kadiff Kirwan as Sister Frigidity of the Nocturnal Emission, member of the activist drag group the Sisters of Perpetual Indulgence[3]
- Peter Mullan as Jack, Charleson's father
- Georgie Glen as Jean, Charleson's mother
- Juliet Stevenson as Sylvia Syms, the actress who plays Gertrude
- Danny Webb as Michael Bryant, the actor who plays Polonius
- Jamie Bogyo as Jeremy Northam, the actor who plays Laertes
- Alyth Ross as Stella Gonet, the actress who plays Ophelia
- David Rintoul as John Castle, the actor who plays the Ghost
- Malcolm Jeffries as the actor who plays Fortinbras
- John Hollingworth as the actor who plays Rosencrantz
- Rishi Rian as the actor who plays Guildenstern
- Adeel Akhtar as Shahid, a motorcycle salesman who has a motorbike named Elsinore
Production
Development
The concept of a film about Charleson, starring Andrew Scott,[4] was originally introduced by executive producer Ethan Silverman,[5] who had been heading a prospective film project about Charleson that was a road-trip story set in Italy with a script by Stephen Beresford.[6] Producer Gabrielle Tana was introduced to the project but felt the film should not be a road trip; she rehired Beresford, who mentioned that he wanted the film to be tied to Charleson's final Hamlet at the National Theatre.[6] Another director was originally offered the picture, but they later learned that Tana had gone with Stone via a third party.
The scope of Elsinore then evolved organically between producer/star Scott, director Simon Stone, and screenwriter Beresford, who are all screen and stage veterans and who shared and refined their ideas in a WhatsApp group chat called "The Charleson Chaps".[7] They focused the story on human resilience, the LGBT community, and the experience of a visible but closeted gay actor in the 1980s.[7] They also searched through Hamlet to find passages that most strongly connected to Charleson's story.[7]
Scott, who had played Hamlet in 150 Olivier Award–nominated London stage performances in 2017, lost a significant amount of weight for the role of the ailing Charleson.[7]
Beresford interviewed the still-living members of Charleson's inner circle from that time, including his best friend David Rintoul, who was cast in the film as the actor playing the Ghost of Hamlet's father.[7]
The filmmakers structured the movie like a traditional humanist Hollywood drama from the 1970s, 1980s, and 1990s, such as sports drama films like Rocky, including montages.[7] They also included a good deal of humor and lightness in the script.[8]
The title of the film refers to Elsinore and Elsinore Castle, the setting in Denmark of the play Hamlet. According to Steve Pond writing in TheWrap, the film is "named for the Danish castle where Prince Hamlet lives, but the title is deliberately evocative of the forbidding National Theatre building in London. Stone and cinematographer Mike Eley shoot the Brutalist structure in a manner befitting a monument, often as not with its stark columns looming above the characters' heads."[9]
Casting and filming
Everyone cast in the film had either worked with Scott or had previous connections with him, or had worked with Stone or Beresford.[7] Luke Thompson, Juliet Stevenson, and David Rintoul had all co-starred in Robert Icke's 2017 production of Hamlet, starring Scott, on the London stage, which transferred to the West End[7] and was filmed and broadcast on BBC Two in 2018.[10]
Nigel Havers, Charleson's co-star in Chariots of Fire (1981), and Hilton McRae, Charleson's close friend and University of Edinburgh classmate and fellow actor, have brief cameos in the film as financial donors to the AIDS clinic.[11]
Principal photography began on 5 January 2026, in the United Kingdom,[12] and concluded in February 2026.[13] Post-production was completed August 26, 2026.[14]
Release
Elsinore premiered on 4 September 2026 at the 53rd Telluride Film Festival.[15] It had its Canadian premiere in the Special Presentations section of the 2026 Toronto International Film Festival on 12 September 2026.[16][17] It opened the 2026 BFI London Film Festival on 7 October 2026, marking its European premiere.[18]
Initial reports in December 2025 about the film's production stated that LD Entertainment, also a co-producer on the film, had pre-emptively acquired North American distribution rights to it.[19][20] By July 2026, following interest from every major fall festival, a competitive bidding war among distributors ensued and Focus Features acquired distribution rights to the film for North and Latin America.[21][22]
Elsinore is scheduled for an initial limited theatrical release in the United States beginning 20 November 2026, with expansions throughout November and December.[23] It will be theatrically released in Italy by Lucky Red on 28 January 2027,[24] and in the United Kingdom by StudioCanal on 29 January 2027.[25]
Reception
Critical response
On the review aggregator website Rotten Tomatoes, 89% of 53 critics' reviews are positive.[26] Metacritic, which uses a weighted average, assigns the film a score of 73 out of 100, based on 17 critics, indicating "generally favorable" reviews.[27]
Initial reviews following the film's Telluride and TIFF premieres broadly and unanimously praised Scott's "role of a lifetime" performance as Charleson.[11][28][29][30][31] The film itself was also praised as affecting and moving.[29][11][30] Certain reviewers critiqued the film's scoring, editing, or directing,[11][32][33] including what some perceived as heavy-handedness in the scoring and montage of the film's final moments.[34]
Mainstream news sources have also praised Scott's performance and found the film moving,[35][36][37][38] with The Times proclaiming that "Andrew Scott’s tearjerker will win him an Oscar".[39] Tim Robey in The Telegraph calls Scott "perfect .... [a]ngelically so."[40] Robey also notes that "The script ... is not short on wicked gallows humour and straight-up zingers, so much so that the film’s first half is almost indecently entertaining, with a string of witty moments for the supporting cast .... The good stuff in here is not only about gay shame and hiding it away, but the backstage frivolity of an actor’s life."[40] He concludes that the film is however not perfect because "Stone, in cahoots with his composer and editor, reduces the last act into a mulch of iffy montages, leaving us yearning for proper scenes with the actors, intimate agony and longer conversations."[40]
Accolades
| Award | Date | Category | Recipient(s) | Result | Ref. |
|---|---|---|---|---|---|
| Toronto International Film Festival | 20 September 2026 | International People's Choice Award | Elsinore | Won | [41] |
| Mill Valley Film Festival | 3 October 2026 | Acting Award | Andrew Scott | Won | [42] |
| Montclair Film Festival | 18 October 2026 | Screenwriter Award | Stephen Beresford | Won | [43] |
| Middleburg Film Festival | 18 October 2026 | Distinguished Makeup and Hair Design Award | Nadia Stacey | Won | [44] |
| SCAD Savannah Film Festival | 28 October 2026 | Marquee Award | Billie Piper | Won | [45] |