Emily Fuller
From Wikipedia, the free encyclopedia
Emily Fuller | |
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| Born | August 9, 1941 New York, New York |
| Occupation | Artist |
| Nationality | American |
| Website | |
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Emily Fuller (born August 9, 1941) is an American artist who has been working in a variety of media since the Seventies. Also known as Emily Rutgers Fuller, Emily R. Fuller, and Emily Fuller Kingston, she lives and works in New York City and Dutchess County, New York.
Fuller describes herself as "a contemporary painter who finds subject matter in New York State's Harlem River Valley in northeast Dutchess County." Her work was praised by the critic John Russell of The New York Times in the course of an article, "Art: New Drawings at the Modern". Among praise for her work, he concluded: "There is nothing wrong with a department that can range with an easy assurance from de Chirico and Modigliani to Miss Fuller."[1]
Fuller was born in New York City and raised on Long Island. Her sensitivity to color, texture and composition was formed early in life by exposure to her parents' extensive gardens.
She was also influenced by the work of her grandmother, Lucy Washington Hurry (1880–1950), a still-life watercolorist who studied at the Art Students League of New York with Kenyon Cox and Fayette Barnum,[2] and whose work was shown at the Philadelphia Water Color Exhibition alongside that of Edith Emerson, Jessie Willcox Smith, Clifton Wheeler, Violet Oakley and Jules Guerin in 1919.[3]
Education
Fuller studied at the School of the Museum of Fine Arts, Boston, between 1962 and 1966, at Tufts University in 1966, at the Art Students League in New York (where she was taught by Richard Mayhew) during 1968 and 1969, and at the School of Visual Arts in New York (where she was taught by John A. Parks) during 1998 and 1999.
Originally an abstract artist, Fuller has also been sewing paper and canvas works since 1977. She learned how to sew at the Garland Junior College (now known as Simmons College) in Boston, where it was a required course.
She has said, "The art of Dutch, French and German paintings from the 16th through the 18th centuries is very appealing to me." More contemporary influences included Nancy Graves, Jasper Johns, Christo, and Willem de Kooning.
