Entanglement (opera)

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Entanglement is a one-act chamber opera by the British composer Charlotte Bray and the librettist Amy Rosenthal. The work was commissioned by the Nova Music Opera and was first performed on 6 July 2015 at the Cheltenham Music Festival, with the conductor George Vass leading soprano Kirsty Hopkins, baritone Howard Croft, tenor Greg Tassell, and the Nova Music Opera Ensemble.[1][2][3][4]

Bray described the inspiration for Entanglement in the score program notes, writing:

The gripping story of Ruth Ellis and her entangled life with racing-car driver David Blakely and lonely businessman Desmond Cussen is one that needs to be told. Love, romance, anguish, and abuse—the tragic story itself has all the drama needed to create a gripping and powerful opera. Timeless and universal in many regards, especially with the debate over capital punishment continuing today. In the summer of 1953, nightclub manageress Ruth Ellis meets two men with whose lives her own will be fatally intertwined. As lonely businessman Desmond Cussen loses his heart to her, so Ruth loses hers to troubled racing-car driver David Blakely, with whom she spirals into a violent and obsessive co-dependence. Set amidst the grubby glamour of London in the Fifties, Entanglement charts two years in the lives of the trio as they are driven towards their tragic destiny – and the act that will see Ruth Ellis defined forever as the last woman to be hanged in Britain.[2]

Composition

Entangled is written in a single act and has a duration of roughly 40 minutes.

Instrumentation

The work is scored for a soprano, tenor, and baritone, and a chamber ensemble comprising flute, clarinet, percussion, violin, cello, and double bass.[2]

Roles

Reception

References

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