The album has received generally favorable reviews. Pitchfork noted the band's new sense of experimentation with grunge and psychedelic sounds and a compelling performance by singer Dorthia Cottrell, adding that "Cottrell’s often been great on Windhand’s quiet songs, but she’s never sounded like such a convincing rock bandleader."[2] Metal Injection noted that the band has finally found its own style, saying "Windhand returns (eternally) to lift the fog, clear the mist, and define their own obscurities through a fantastic album that properly carves out their identity."[5] The Obelisk also noticed the grunge influence, stating "Windhand aren’t simply donning a flannel and tucking their jeans into their Doc Martens — they’re taking the influence of grunge and working it into their own sonic context, just as they’ve always done with their influences,"[6] while Spectrum Culture also noted new strength in Cottrell's vocals.[7]