Eugenia Triantafyllou

Triantafyllou has lived in Sweden^[1] and in Athens "with a boy and a dog."^[2][3]

Triantafyllou enjoyed drawing as a child, which "led to me joining a small comic artist comunity in my early 20s and to drawing my own little comics." At twenty-six, feeling a need to develop her storytelling skills, she decided to become a writer.^[4] She started writing in English in the 2010s.^[5] She is a graduate of Clarion West Writers Workshop.^[2][3] She was co-editor with Nella Geraldine García-Rosas of the January 2023 issue of Apparition Literary Magazine.^[1] Her work has appeared in Apex, Reactor, Strange Horizons, and Uncanny, among other publications.^[2]

• "The Heart Is a Lonesome Hunter" (2017) (as Eugenia M. Triantafyllou)
• "What We Are Moulded After" (2017) (as Eugenia M. Triantafyllou)
• "Cherry Wood Coffin" (2018) (as Eugenia M. Triantafyllou)
• "Worm-Mothers" (?)
• "Ghost Mapping" (2018)
• "We Are Here to Be Held" (2019)
• "April Teeth" (2019)
• "What Cannot Follow" (2019)
• "My Country Is a Ghost" (2020)
• "Those We Serve" (2020)
• "How the Girls Came Home" (2021)
• "The Giants of the Violet Sea" (2021)
• "Tomatoes" (2021)
• "Fish Tale" (2021)
• "This Village" (2022)
• "Bonesoup" (2022)
• "Of the Body" (2022)
• "Harvest of Bones" (2022)
• "Flower, Daughter, Soil, Seed" (2023)
• "Salt Water" (2023)
• "Undog" (2023)
• "Always Be Returning" (2023)
• "Six Versions of My Brother Found Under the Bridge" (2023)
• "Loneliness Universe" (2024)
• "Skinless" (2024)
• "Joanna's Bodies" (2024)
• "Some to Cradle, Some to Eat" (2025)
• "The Bathers" (2025)
• "The Life and Times of Alavira the Great As Written by Titos Pavlou and Reviewed by Two Lifelong Friends" (2025)