Eye in the Sky (album)

Eye in the Sky is the first of three albums that were recorded by the Project on analogue equipment and mixed directly to a Sony PCM 1610 digital master tape along with the usual analogue half-inch 30 ips master tape.^[7] In 2007, the analogue tape was re-digitised for audiophile formats.

To promote the album in the United States, the band conducted interviews that were aired on NBC during the weekend of Memorial Day. At that time, Eye in the Sky had yet to be released in the United States.^[8]

The album itself reached the top 10 in numerous countries, including No 1 in Austria and Germany.^[9] The album's title track became the Alan Parsons Project's biggest hit on the US Billboard Hot 100, where it reached No. 3.^[10] The album features the instrumental piece "Sirius", which has become a staple of many college and professional sporting arenas throughout North America. It was used by the Chicago Bulls to introduce its starting line-up during its championship years of the 1990s and has seen continued use thereafter.^[11]

On 1 December 2017, a 35th-anniversary-edition box set of the album was released, for which Alan Parsons, along with surround mastering engineers Dave Donnelly and PJ Olsson, won the Grammy Award for Best Immersive Audio Album at the 61st Annual Grammy Awards.^[12] A Blu-ray audio version of the album in 5.1 surround sound was also released the following year.^[13] When discussing this edition of the album, Parsons mentioned that they "managed to lay our hands on everything that was necessary to perform the surround mix" with the exception of "You're Gonna Get Your Fingers Burned", where Parsons and his team were unable to locate one of the tapes containing some of the multi-tracks.^[14]

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
The Philadelphia Inquirer	[15]

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From contemporary reviews, Ken Tucker of The Philadelphia Inquirer gave the album a one star rating out of five rating, calling it a "hopelessly banal album" with "Paul McCartney-as-manic-depressive melodies and whining vocals would be merely pathetic were it not for Parsons' lyric pretensions".^[15] Billboard was complimentary of the album artwork and said that the music was "in the tradition of Pink Floyd's orchestrally and technically perfect pop/rock progressivism."^[16]

From retrospective reviews, Stephen Thomas Erlewine of AllMusic stated that "this is a soft rock album through and through, one that's about melodic hooks and texture," noting that "with the exception of those instrumentals and the galloping suite "Silence and I," all the artiness was part of the idea of this album was pushed into the lyrics, so the album plays as soft pop album—and a very, very good one at that [...] it adds up to arguably the most consistent Alan Parsons Project album—perhaps not in terms of concept, but in terms of music they never were as satisfying as they were here."^[2]

All songs written and composed by Alan Parsons and Eric Woolfson.

• Alan Parsons – keyboards, Fairlight, programming, Linn drum machine, backing vocals (9)
• Eric Woolfson – Wurlitzer, keyboards, piano, organ, vocals (2 and 5), backing vocals
• David Paton – bass, vocals (3)
• Ian Bairnson – acoustic & electric guitars, pedal steel guitar
• Stuart Elliott – drums, percussion
• John Wallace – piccolo trumpet (3)
• Mel Collins – saxophone (10)
• Chris Rainbow – vocals (4)
• Lenny Zakatek – vocals and vocal FX (6 and 9), backing vocals (6)
• Colin Blunstone – vocals (10)
• Dave Terry (credited as Elmer Gantry) – vocals (7)
• Andrew Powell – additional piano (5,) Brass Band and Orchestra arrangements, conductor
• Bob Howes – chorus master of The English Chorale