Father Figure (Taylor Swift song)

In 1987, George Michael released "Father Figure" along with his debut studio album, Faith, which became a commercial success. The song was mainly about the singer being involved in a sexual relationship with a person he loved, looking after and protecting them.^[3] In 2016, Michael died at the age of 53.^[4]

A pop,^[5] orchestral pop,^[6] and R&B ballad,^[7] "Father Figure" is an interpolation of Michael's song, using the lyric "I'll be your father figure" and a similar melody.^[8] As a result, Michael is credited as a co-writer on the track.^[9] Following its release, critics have suggested that the lyrics reference Swift's early career and her business relationship with Scott Borchetta, including the subsequent sale of her master recordings to Scooter Braun.^[10]

In an interview with Jimmy Fallon, Swift stated the song depicted a mentor–protégé relationship, and was written from the perspective of the mentor. She stated that she related to the protégé character in the song, despite the song being from the perspective of the "father figure".^[11] She also explained to Fallon that she drew inspiration from the character of Logan Roy in Succession.^[12]

While Michael's song was about intimacy and protection, Swift's is primarily about revenge and betrayal. Journalists have interpreted the song's lyrics as referring to her master's dispute, asserting that the line "When I found you, you were young" alludes to her initial signing with Big Machine.^[1] Lyrics like "I can make deals with the devil 'cause my dick's bigger'" and "This love is pure profit" have been interpreted as a reference to how Big Machine Records used Swift as a major source of profit after her initial success.^[13]

Pitchfork's Shaad D'Souza considered "Father Figure" a standout from the album, describing it as Swift's "most straightforward appraisal of her own power"; D'Souza described how it hides its bitterness "beneath actual jokes".^[14] Variety described Swift's "lingering capacity for pure vituperation" in contrast to her romance songs.^[15] The New York Times described Swift as singing the song with "cool nerve" and being an "assassin acquiring her target".^[16] The Guardian stated the song has "some spiky lines here and there", though "they don't really click", in part because the song "revisit[s] very well-trodden ground".^[17]

Credits are adapted from the liner notes of The Life of a Showgirl.^[18]

Studios

• Produced at MXM Studios and Shellback Studios, Stockholm
• Recorded at Shellback Studios, Stockholm
• Violins recorded and engineered at IMRSV Studios, Stockholm
• Horns recorded and engineered at Studio 112, Jonstorp, Sweden
• Strings engineered and edited at Studio 112, Jonstorp, Sweden
• Mixed at MixStar Studios, Virginia Beach
• Mastered at Sterling Sound, Edgewater, New Jersey

Personnel