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Felix Manalo (film)

2015 Filipino film From Wikipedia, the free encyclopedia

Felix Manalo is a 2015 Filipino biographical film about the life of Felix Manalo, the first Executive Minister of the Iglesia ni Cristo (INC; English: Church of Christ), and the church he preached. Manalo is regarded by the members of the Iglesia ni Cristo as the last messenger of God and the restorer of the true Church of Christ, whom the INC gives the title Sugò (Tagalog: "messenger" or "envoy").[4] The story and screenplay were written by INC evangelism head Bienvenido Santiago.[5] The film was directed by Joel Lamangan. All content of the film was screened and approved by the INC.[5]

Directed byJoel C. Lamangan
Written byBienvenido C. Santiago
Produced by
  • Vincent del Rosario III
  • Veronique del Rosario-Corpus
Quick facts Directed by, Written by ...
Felix Manalo
Theatrical release poster
Directed byJoel C. Lamangan
Written byBienvenido C. Santiago
Produced by
  • Vincent del Rosario III
  • Veronique del Rosario-Corpus
Starring
CinematographyRody Lacap
Edited byJohn Anthony L. Wong
Music byVon de Guzman
Production
company
Distributed byViva Entertainment
Release dates
  • October 4, 2015 (2015-10-04) (Philippine Arena)
  • October 7, 2015 (2015-10-07) (Philippines; wider theatrical release)
Running time
176 minutes[1]
CountryPhilippines
Languages
Budget₱150 million[2]
(US$3.3 million)
Box office₱226 million[3]
(US$4.8 million)
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Synopsis

Felix Manalo (portrayed by Trillo) studies, joins, doubts, and eventually leaves both Catholicism and Protestantism before starting a church he believes to be a restoration of the Biblical church founded by Jesus.

Cast

Main cast

Bela Padilla portrays Honorata "Ata" de Guzmán-Manalo
Ruru Madrid portrays Eusebio Serapio

Supporting cast (in alphabetical order)

[6]

Production

Completed on July 27, 1962, the Iglesia Ni Cristo (INC) Lokal ng San Francisco del Monte, also known locally as the Lokal ng Frisco, was featured in the film.

Joel Lamangan served as the overall director of the film with Armando Reyes as the assistant director, and Glicerio Santos III as the creative producer. The production design was done by Edgar Martin Littaua, Joel Marcelo Bilbao and Daniel Red. Other members of the production team were Iglesia ni Cristo spokesperson Bienvenido Santiago (story and screenplay), Rody Lacap (director of photography), Albert Michael Idioma (sound supervisor), Von de Guzman (musical director), John Wong (film editor), and Juvan Bermil (makeup and hair design).[7][8] The script was written by the head of evangelism of the INC, and the church approved of all content in the film.[5]

About one hundred actors were included in the cast, while 8,000 people were hired as extras. Scenes were shot in Metro Manila, Laguna, Subic, and Bataan. This includes the INC Chapel F. Manalo (formerly Riverside) in San Juan, and the chapel in San Francisco del Monte, Quezon City, which was used in the funeral. Laguna de Bay stood in for the Pasig River in the baptism scenes. The original cut of the film was about six hours (360 minutes) in length, but a shorter version was used for its theatrical release.[9]

Casting

Initially, Richard Gomez, Albert Martinez and Ramon "Bong" Revilla Jr. were tapped to play Felix Manalo, Eraño Manalo and Eduardo Manalo, respectively.[10][11] However, Gomez and Revilla would later drop out of the project.[11] Bong Revilla, who is also an incumbent Senator at that time, withdrew after he got implicated in the PDAF scam reasoning that it would be shameful to portray a religious leader when he himself is riddled with political controversy.[12]

Martinez would then be cast in the role of Felix Manalo, with Dennis Trillo playing a younger Felix Manalo. Martinez also withdrew following the death of his wife, Liezl Martinez.[13][11] Trillo would go on to play both the young and old Felix Manalo.[11]

Soundtrack

The theme song and music video of the film entitled "Ang Sugo ng Diyos sa mga Huling Araw" (English: The Messenger of God in the Last Days) was released on October 4, 2015, at the Philippine Arena. The song was performed by Sarah Geronimo, composed by Joan and Ryan Solitario, and arranged by Louie Ocampo.[14]

Release

On October 4, 2015, its premiere broke three Guinness world records for the largest audience in a film premiere, the largest audience in a film screening[15][16] and the largest paying audience for a film premiere, with 43,624 attendees.[17] VIVA Films set up a five-story, 22 by 40 meters high definition screen for the premiere at the Philippine Arena.[9]

The film's theatrical runtime is 175 minutes.[1] According to Pilipino Star Ngayon, an insider of Viva Films informed them that a 6-hour version of the film is intended to be included in the DVD release.[9]

Felix Manalo was released in Philippine cinemas on October 7, 2015.

Reception

The Cinema Evaluation Board of the Philippines, the governing council for Filipino films, gave the film an "A".[18] The film was graded based on its direction, screenplay, cinematography, editing, production design, music scoring, sound, and acting performances.[19]

Critical reception

Reviewers have noted the makeup team's work on Trillo, which during the course of the film ages him from a young man through to age 76,[20][21] and the nearly three-hour running time.[21] The PhilStar commended the film's recreation of multiple historical time periods.[20] The Manila Bulletin states the film "makes no qualms in its aim to preach" and that a lot of money was spent on the film because it will be "screened in several INC gatherings for many years to come."[21]

Philbert Ortiz Dy of ClickTheCity was also critical, giving it 2 out of 5 stars and wrote, "It is slow, ponderous, and focuses on things that aren’t very interesting at all."[22] While Michael Alegre of the Philippine Online Chronicles did not give a rating, he said in his review that it suffers from "a lack of focus, excessive content, an uneven pace, some jerky editing, and a noticeable partiality towards Felix Manalo".[23]

Fred Hawson of ABS-CBN gave the film 7 out of 10 stars, praising the film's production, cinematography, and acting (particularly of Trillo), and noted the film's educational value "to know our INC brothers better."[24]

Accolades

More information Year, Award-giving body ...
Year Award-giving body Category Recipient Result
2016 32nd Philippine Movie Press Club (PMPC) Star Awards for Movies[25][26] Movie of the Year Felix Manalo Won
Movie Director of the Year Joel Lamangan Won
Movie Actor of the Year Dennis Trillo Won
Movie Supporting Actress of the Year Bela Padilla Nominated
Movie Screenwriter of the Year Bienvenido Santiago Nominated
Movie Cinematographer of the Year Rody Lacap Nominated
Movie Production Designer of the Year Edgar Martin Littaua, Joel Bilbao, and Danny Red Won
Movie Editor of the Year John Anthony Wong Nominated
Movie Musical Scorer of the Year Von de Guzman Nominated
Movie Sound Engineer of the Year Albert Michael Idioma Nominated
Movie Original Theme Song of the Year “Ang Sugo Ng Diyos Sa Mga Huling Araw” – composed by Joan Solitario and Ryan Solitario; arranged by Louie Ocampo; interpreted by Sarah Geronimo Won
34th Luna Awards[27] Best Picture Felix Manalo Nominated
Best Director Joel Lamangan Nominated
Best Actor Dennis Trillo Nominated
Best Screenplay Bienvenido Santiago Nominated
Best Cinematography Rody Lacap Nominated
Best Production Design Edgar Martin Littaua Nominated
Best Musical Scoring Von de Guzman Nominated
Best Sound Albert Michael Idioma and Lamberto Casas Jr. Nominated
2016 FAMAS Awards[28][29] Best Picture Felix Manalo Won
Best Director Joel Lamangan Won
Best Actor Dennis Trillo Won
Best Actress Bela Padilla Nominated
Best Child Performer Carl Acosta Nominated
Best Story Bienvenido Santiago Nominated
Best Screenplay Bienvenido Santiago Won
Best Cinematography Rody Lacap Nominated
Best Editing John Anthony Wong Nominated
Best Sound Albert Michael Idioma Nominated
Best Musical Score Von de Guzman Nominated
Best Theme Song “Ang Sugo Ng Diyos Sa Mga Huling Araw” – composed by Joan Solitario and Ryan Solitario; arranged by Louie Ocampo; interpreted by Sarah Geronimo Won
Best Production Design Joel Bilbao, Edgar Martin Littaua and Daniel Red Nominated
Best Visual Effects Adrian Arcega Nominated
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