Fernando Montes

Bolivian painter (1930–2007) From Wikipedia, the free encyclopedia

Fernando Montes Peñaranda (14 August 1930 – 17 January 2007) was a Bolivian artist, painter and filmmaker based in London.[1][2]

Born
Fernando Montes Peñaranda

(1930-08-14)14 August 1930
La Paz, Bolivia
Died17 January 2007(2007-01-17) (aged 76)
London, UK
Spouse
Marcela Villegas Sánchez Bustamante
(m. 1960)
Quick facts Born, Died ...
Fernando Montes
Born
Fernando Montes Peñaranda

(1930-08-14)14 August 1930
La Paz, Bolivia
Died17 January 2007(2007-01-17) (aged 76)
London, UK
EducationHigher University of San Andrés
Royal Academy of Fine Arts of San Fernando, 1959
Saint Martin's School of Art, 1960
Central School of Arts and Crafts, 1961
Spouse
Marcela Villegas Sánchez Bustamante
(m. 1960)
Children2
Websitefernandomontes.co.uk
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Early life

Montes was born on 14 August 1930 in La Paz to Hugo Montes (died 1937), a lawyer and politician, and Eloísa Peñaranda Minchin.[2][3] Montes' father was later the leader of the Liberal Party.[2]

In 1942, aged 12, Montes and his family moved to Buenos Aires, Argentina to live with his maternal grandmother.[1][2] Montes attended the Escuela Argentina Modelo, and in 1945 he began an apprenticeship with Vicente Puig.[1][4] Upon finishing school Montes returned to La Paz and studied philosophy at the Higher University of San Andrés.[1][2][3]

Career

Bolivia

From 1951 to 1953 Montes worked with the filmmakers Augusto Roca and Jorge Ruiz Calvimonte [es], a childhood friend.[1][3][5] Together they travelled across the Andean Plateau, where Montes created a number of sketches of Mosetén people.[1][3][4] These sketches later became the basis for a series of paintings.[3][4][6] In 1951, Montes recorded the sound for Los Urus, the first ethnographic documentary made in Latin America.[7]

From 1953 onwards Montes painted professionally in Las Paz, where he first exhibited a series of portraits in 1956.[1][2][4] In 1959, Montes represented Bolivia at the 5th São Paulo Art Biennial.[1][2][5] The same year Montes was awarded a scholarship by the Spanish government to study for a year at the Royal Academy of Fine Arts of San Fernando in Madrid.[1][2][5][6]

London

In June 1960, Montes was invited to view the collection of Latin American Art at the British Museum in London.[6] Initially intending to stay in London for two weeks, Montes meet his future spouse Marcela Villegas Sánchez Bustamante.[3][4][8]

Deciding to stay in London, Montes enrolled at the Saint Martin's School of Art where he befriended Alicia Melamed Adams,[1][2][6][8] From 1960 to 1961, Montes studied at the Central School of Arts and Crafts.[1][2][6] In 1965, Montes had his first solo exhibition in London were he exhibited a series of 'pub paintings'.[1][3][6][8] That same year Montes visited Bolivia with his wife and three-year-old son, triggering a return to Bolivian subject matter.[1][3][6]

International recognition

In 1973, Montes was invited to participate in the "Bolivian Contemporary Painters" exhibition at the Musée d'Art Moderne de Paris.[3][4][6]

In 1977, Montes was awarded the first prize in painting at the 2nd INBO [a] Biennial.[5]

In 1999, Montes represented Bolivia at the 48th Venice Biennale.[5] The same year a retrospective exhibition of Montes' work was held at the National Museum of Art in La Paz.[5]

Legacy

A painting by Montes was kept in the office of Evo Morales during his Presidency.[10]

In 2019, the Museo Fernando Montes was opened in La Paz by the Fundación Cultural del Banco Central de Bolivia [es].[11]

Personal life

In 1960, Montes married Marcela Villegas Sánchez Bustamante,[b] a Bolivian secretary to the Colombian ambassador.[2][3][13] Montes and Villegas had two children.[2][8]

On 17 January 2007 Montes died from cancer in London aged 77.[1][2]

Publications

  • Montes Peñaranda, Fernando (2023). Detrás de los Andes: diario de viaje de un artista [Behind the Andes: an artist's travel diary]. La Paz: Plural Editores. ISBN 9789917625414.

Notes

  1. Inversiones Bolivianas.[9]
  2. Also known as Marcela Montes and Marcela de Montes.[5][12]

References

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