Fire Songs

"Fire: a song for Mistress Askew" is set in London, England, and follows Anne Askew, an English writer and Protestant Martyr who was condemned for being a heretic during the dynasty of Henry VIII, and became the only woman in English history to be tortured in the Tower of London and burnt at the stake.^[4] Harsent describes the execution of Askew because "She was an example of the destructiveness of fire".^[5] "Fire: love songs and descants", according to The Guardian reviewer Adam Newey, has a "hellish for-its-own-sake purity, which is nonetheless impressive and mesmerizing", and like the Askew group includes a bonfire to introduce the poem's subject matter. In this poem, the speaker is burning works of arts and literature, and burning of the written word is a recurrent motif.^[6] It reveals the theme the loss of love as the speaker no longer loves literature. In an interview with Prospect, Harsent commented on the bonfire motif in Fire Songs: "I had this image in my head of a man going into his garden and making a bonfire on which he planned to burn everything".^[5]

The poem "Tinnitus" addresses Harsent's musical career; Harsent frequently collaborates with British composer Harrison Birtwistle, and Harsent dedicated the volume to him. The poem "Armistice" consists of one single sentence, without punctuation, organized in couplets all of which rhyme on the sound of the letter "d". Newey called this a "virtuosic piece" that "disdains simplistic notions about peace and war and has the humility to acknowledge the limits of art".^[6]

Adam Newey, in The Guardian, said the collection "makes rich use of symbol, especially biblical symbol, and reads somewhat like a modern-day Book of Revelation – there’s definitely something of the entranced, ecstatic visionary in some of the bravura pieces here". He added that it "delivers a stream of feverish, oneiric visions, of apocalypse brought about through war or environmental catastrophe or the boundless human capacity for self‑deception and bedevilment".^[6] According to Helen Dunmore, a British poet and the chair of judges that awarded Harsent the T. S. Eliot Prize, "Fire Songs plumbs language and emotion with technical brilliance and prophetic power".^[7]