First Love, Last Rites (film)

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Directed byJesse Peretz
Screenplay byDavid Ryan
Jesse Peretz
Produced by
  • Herbert Beigel
  • Scott Macaulay
  • Robin O'Hara
First Love, Last Rites
Directed byJesse Peretz
Screenplay byDavid Ryan
Jesse Peretz
Based onFirst Love, Last Rites
by Ian McEwan
Produced by
  • Herbert Beigel
  • Scott Macaulay
  • Robin O'Hara
Starring
CinematographyTom Richmond
Edited byJames Lyons
Music byNathan Larson
Craig Wedren
Production
companies
Forensic Films
Toast Films
Distributed byStrand Releasing
Trimark Pictures
Release dates
  • September 7, 1997 (1997-09-07) (TIFF)
  • August 7, 1998 (1998-08-07) (U.S.)[1]
Running time
94 minutes
CountryUnited States
LanguageEnglish
Budget$300,000
Box office$42,953

First Love, Last Rites is a 1997 American romantic drama film directed by Jesse Peretz in his directional debut and starring Natasha Gregson Wagner and Giovanni Ribisi. It is based on the short story of the same name by Ian McEwan[2][3] and centers on the passionate love affair between a young couple over one Louisiana summer.

The film premiered at the Toronto International Film Festival in 1997 and received a limited release on August 7, 1998.

During a summer in Louisiana, Joey and Sissel are two young lovers fresh out of high school entangled in a consuming love affair. How the couple met is not disclosed, but Joey is originally from Brooklyn and Sissel is a local. In a house on stilts by the river, the couple do little more than talk and have sex, with the occasional interruption by Sissel’s younger brother Adrian. Sissel’s parents are divorced. Her father Henry, a Vietnam War veteran, befriends Joey, and the two men look into trapping eels with the aim of selling them to sushi restaurants. Jealousy and communication issues start to creep into Joey and Sissel’s relationship.

Cast

Soundtrack

The film's soundtrack was composed and performed by Shudder to Think, with singers such as Cheap Trick's Robin Zander and The Smashing Pumpkins' Billy Corgan providing vocals for many of the tracks.[4] Despite the film's poor reception, the soundtrack received positive reviews.[5]

Release

The film premiered at the Toronto Film Festival and went on to play the festival circuit, including the London Film Festival, the Seattle International Film Festival, and the International Film Festival Rotterdam, where it won the FIPRESCI Award for Best Direction.[6] It also screened at the 1998 Sundance Film Festival.[6]

Reception

References

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