Flesh and Fury

1952 film by Joseph Pevney From Wikipedia, the free encyclopedia

Flesh and Fury is a 1952 American sports film noir directed by Joseph Pevney and starring Tony Curtis, Jan Sterling and Mona Freeman.[1]

Directed byJoseph Pevney
Written byBernard Gordon
Quick facts Directed by, Written by ...
Flesh and Fury
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Directed byJoseph Pevney
Written byBernard Gordon
Story byWilliam Alland
Produced byLeonard Goldstein
StarringTony Curtis
Jan Sterling
Mona Freeman
CinematographyIrving Glassberg
Edited byVirgil W. Vogel
Music byHans J. Salter
Color processBlack and white
Production
company
Universal Pictures
Distributed byUniversal Pictures
Release date
  • March 27, 1952 (1952-03-27) (New York)[1]
Running time
83 minutes
CountryUnited States
LanguageEnglish
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Plot

Boxing fan Sonya Bartow and manager Pop Richardson are impressed when they watch amateur Paul Callan win a fight. They later discover that Paul is deaf.

Pop agrees to train Paul, although Pop is still grieving the loss of a friend who did in the ring. Paul begins a romantic relationship with Sonya, but she refuses to marry him until he becomes a champion. She pressures Pop to arrange a title fight for Paul, although he may not be ready yet.

When reporter Ann Hollis interviews Paul using sign language, Sonya mocks it as a "dummy" language and Paul explains that he has always been reluctant to use it. Ann begins seeing Paul socially, takes him to a school for deaf children and introduces him to her deaf father, a successful architect. Sonya drunkenly threatens to kill Ann if she continues to see Paul.

A doctor performs an operation that restores Paul's hearing. He rushes to Ann's house, but a party there is so noisy that it confuses and overwhelms him. Paul returns to Sonya and learns that a fight has been arranged with Logan, the champ. Paul discovers that Sonya has hidden a telegram from the doctor that warns that a beating in the ring could cause Paul's deafness to return.

Sonya bets heavily on Paul to lose the fight. During the fight, the punches that he receives cause his hearing to fade. However, with all of the distracting noise silenced, Paul rallies to win the fight. He reunites with Ann and is relieved when he can hear her speak.

Cast

Reception

In a contemporary review for The New York Times, critic Howard Thompson wrote: "'Flesh and Fury' remains essentially a standard case history of the ring. The hero's predicament is interesting, to be sure, and the muscular Mr. Curtis conveys his plight, for the most part, with a hesitant perplexity that seems natural enough. But this same quality is apparent in the contrivances of the latter half of the film, which flattens familiarly in a maze of ring clichés."[1]

See also

References

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