Frame-Tale
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| ""Frame-Tale"" | |
|---|---|
| Short story by John Barth | |
| Publication | |
| Publisher | Doubleday & Co. |
| Publication date | 1968 |
"Frame-Tale" is a work of short fiction by John Barth published in Lost in the Funhouse (1968) by Doubleday & Co..[1]
Lost in the Funhouse was nominated for the National Book Award (1968).[2]
"'Frame-Tale'...happens to be, I believe, the shortest short story in the English language (ten words); on the other hand, it's endless." —John Barth in his Preface to Lost in the Funhouse (1987).[3]
"Frame-Tale" serves as a three-dimensional representation of the stories that comprise the Funhouse collection as a whole.[4] If the reader follows Barth's directions, a Möbius strip will be constructed from a portion of the page on which the story is printed in large font in capital letters. The story will read "ONCE UPON A TIME THERE WAS A STORY THAT BEGAN" endlessly.[5]
Biographer and critic Edward Walkiewicz suggests that "Frame-Tale" represents a "recycling of elements from Barth's own fictions and of the oral-literary tradition" as well as Barth's fascination with the ancient tale of Scheherazade in A Thousand and One Nights.[6][7]
Barth, in his retrospective Preface, comments on conceiving "Frame-Tale" and the Funhouse volume:
Though the several stories would be more or less stand alone (and therefore be anthologizable), the series would be strung together on a few echoed and developed themes and would circle back upon itself…emblematic of Viconian eternal return, but to make a circuit with a twist to it, like a Mobius strip, emblematic of—well, read the book.[8]
If the "headpiece" of the collection is "Frame-Tale," the final story, "Anonymiad," is the "tailpiece" of the series, returning to Barth's literary "labyrinth."[9]
Footnotes
- ↑ Walkiewicz, 1986 p. 161: Selected Bibliography. Note subtit
- ↑ Walkiewicz, 1986 See Chronology (after Preface)
- ↑ Barth, 1987, Preface p. vii
- ↑ Walkiewicz, 1986 p. 89: The story is "emblematic" of the stories in the entire Funhouse collection.
- ↑ Walkiewicz, 1986 p. 86: "For in joining headpiece to tailpiece, the reader helps to bring into being a story that reads…(ad infinitum)."
- ↑ Walkiewicz, 1986 p. 86-87
- ↑ Kaufman, 2024: "As his foremost inspiration, Mr. Barth cited Scheherazade…"
- ↑ Barth, 1987 p. vii
- ↑ Walkiewicz, 1986 p. 108-109: The final story "may be interpreted as beginning the cycle again, leading us back to retrace our way through a labyrinth we may never leave."
Sources
- Barth, John. 1968. Lost in the Funhouse: Fiction for Print, Tape, Live Voice. Doubleday & Co., Garden City, N. Y. ISBN 9780385041874 (Hardback, first edition)
- Barth, John. 1988. Lost in the Fun House. Anchor Books, New York. ISBN 0-385-24087-2 (Paperback).
- Barth, John. 1987. Preface to Lost in the Fun House. Anchor Books, New York. pp. v-viii. ISBN 0-385-24087-2 (Paperback).
- Kaufman, Michael T. and Garner, Dwight. 2024. John Barth, Writer Who Pushed Storytelling's Limits, Dies at 93. New York Times, April 2, 2024.https://www.nytimes.com/2024/04/02/books/john-barth-dead.html#:~:text=John%20Barth%2C%20who%2C%20believing%20that,of%20storytelling%20with%20imaginative%20and Accessed 20 December 2025.
- Walkiewicz, Edward P. 1986. John Barth. Twayne's United States Author Series, Warren French, editor. G. K. Hall & Co., Boston, Massachusetts. ISBN 0-8057-7461-0
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