Frans de Momper

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Dune landscape with travellers on a path near a town

Frans de Momper[1] (born on 17 October 1603 – died between 18 September 1660 and 18 September 1661) was a Flemish landscape painter who, after training in Antwerp, worked for a while in the Dutch Republic. Here he was exposed to the work of Dutch landscape painters such as Jan van Goyen. His later paintings prefigure the imaginative landscapes of Hercules Segers.[2]

Frans de Momper was born in Antwerp as the son of the landscape painter Jan de Momper (II).[3][4][5][6] The de Momper family was a prominent family of landscape painters and printmakers, originally from Bruges, which had settled in Antwerp in the 16th century.[7] His brother Philips de Momper (II) would also become a painter who worked in Italy and the Dutch Republic.[8] Jan de Momper may also have been his brother.[9] He was a nephew of the prominent landscape painter Joos de Momper.[10]

Mountainous Landscape with a River

Frans de Momper was registered as a master at the Antwerp Guild of Saint Luke in 1629. He remained active in Antwerp until he moved to work in the Dutch Republic after the death of his wife Catherina Beucker in 1646.[5] He is first recorded in The Hague in 1647. He was in 1648 in Haarlem where in that year he became a member of the local Guild of Saint Luke. He is recorded in Amsterdam in the period 1649–1650. The artist had returned to Antwerp by 1650 where he remained active for the remainder of his life.[10]

Frans de Momper died in Antwerp between 18 September 1660 and 18 September 1661 as his death duties were paid at the Antwerp Guild of Saint Luke during that period.[10] He had entered into a contract drawn up by notary H. Trilsma, pursuant to which he agreed to send for sale to Hamburg in 1662 some paintings which the servant of the fair undertook to sell.[10] On 6 October 1662, his brother Philips de Momper (II) who was acting as guardian for his children and heirs, authorized a boatman to demand from the servant of the fair Dirck Ulbrecht in Hamburg the restitution of all the paintings that Frans de Momper had consigned to him for sale.[11]

Work

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