G. E. Kidder Smith

George Everard Kidder Smith was born in Birmingham, Alabama, on October 1, 1913. He was the third of four sons of Francis Hopkinson Smith (1876–1948) and Annie Kidder (1880–1929), a wealthy Episcopalian couple originally from Baltimore. Furthermore, the author, artist, and engineer F. Hopkinson Smith (1838–1915) was G. E. Kidder Smith's great-uncle.

From an early age, he was inspired by stirring tales. Later, at school, he began his deep engagement with architecture and photography.

He graduated from Princeton University, where he obtained a Bachelor of Fine Arts in 1935 and a Master of Fine Arts in 1938. In 1946 he was licensed as an architect.

In August 1942, Kidder Smith married Dorothea Fales Wilder (1916-2015).

During World War II, he served in the U.S. Navy with special photographic duties, which gave him the chance to encounter Captain Edward Steichen (1879–1973).

Later on, Kidder Smith and Dot – often accompanied by their two sons, Kidder Jr. and Hopkinson – travelled the world documenting architecture and the built environment. He was a book author and exhibition curator on architecture in the United States and abroad.

In his early career, Kidder Smith practised architecture, and during the years he was visiting lecturer and visiting professor in prestigious institutions such as Yale University School of Architecture and Massachusetts Institute of Technology.

In 1959, Kidder Smith was awarded the AIA Medal for Architectural Photography. His photographs appear in the collection of the Museum of Modern Art.

G. E. Kidder Smith dedicated his life to the understanding and appreciation of architecture—and particularly of modern architecture.^[1] While his multifaceted work received praise from peers throughout his life, he has not received the historical assessment of other contemporary figures such as Julius Shulman and Ezra Stoller.^[2]

He died at the age of 83, on October 8, 1997, at his home in Manhattan, due to bronchiectasis.

Source:^[3]

• Philip Lippincott Goodwin, Brazil Builds: Architecture New and Old 1652–1942, The Museum of Modern Art, New York, 1943, with photographs by G. E. Kidder Smith;^[4]
• Switzerland Builds: Its Native and Modern Architecture, The Architectural Press, London. Albert Bonnier, New York & Stockholm 1950, dust jacket and cover by Paul Rand;^[5]
• Sweden Builds: Its Modern Architecture and Land Policy Background, Development and Contribution, The Architectural Press, London. Albert Bonnier, New York & Stockholm 1950, dust jacket and cover by Paul Rand;^[6]
• Italy Builds / L'Italia Costruisce: Its Modern Architecture and Native Inheritance / Sua Architettura Moderna e Sua Eredità Indigena, The Architectural Press, London; Reinhold Publishing Corporation, New York; Edizioni di Comunitá, Milan 1955, dust jacket and cover by Leo Lionni, endpapers by Gordon Cullen;^[7]
• The New Architecture of Europe / Guida dell'Architettura Contemporanea in Europa / Moderne Architektur in Europa: An Illustrated Guidebook and Appraisal with Photographs of 225 Postwar Buildings of Europe, The World Publishing Company 1961, book layout and cover by Elaine Lustig Cohen;^[8]
• The New Churches of Europe / Neuer Kirchenbau in Europa, Holt, Rinehart and Winston, New York, Chicago, San Francisco (North and South America); Architectural Press, London (UK); Verlag Gerd Hatje, Stuttgart (Germany); Edizioni di Comunità, Milano (Italy) 1964, dust jacket and cover by Elaine Lustig Cohen, layout by G. E. Kidder Smith, line drawings by Friedrich St. Florian;^[9]
• A Pictorial History of Architecture in America, Vols. 1, 2, American Heritage Publishing, New York 1976, graphic design with Murray Belsky;^[10]
• The Architecture of the United States: [Vol. 1] New England and Mid-Atlantic States (An Illustrated Guide to Notable Buildings, Open to the Public); [Vol. 2] The South and Midwest (An Illustrated Guide to Notable Buildings, Open to the Public); [Vol. 3] The Plains States and Far West (An Illustrated Guide to Notable Buildings, Open to the Public), Anchor Press/Doubleday Garden City New York in association with The Museum of Modern Art 1981, dust jacket and covers by Lewis Friedman;^[11]
• The Beacon Guide to New England Houses of Worship: An Architectural Companion, Beacon Press, Boston 1989, graphic design by Thomas Fischer, Pam Pokornay, and Richard Pace (cover), Lea Cyr (maps);
• Looking at Architecture, Harry N. Abrams, Inc., New York 1990, graphic design by Bob McKee;
• Source Book of American Architecture: 500 Notable Buildings from the 10th Century to the Present, Princeton Architectural Press, New York 1996, graphic design by Clare Jacobson; Allison Saltzman (cover).

Source:^[12]

• "Alvar Aalto," The American Scandinavian Review, Winter 1940, 313-320;
• "The Tragedy of American Architecture," Magazine of Art, Vol. 38, November 1945, 255-260, 278-279;
• "The Navy Builds," The Architectural Forum, Vol. 84, n. 3, March 1946, 121-136;
• "Manhattan: Some Architectural Pleasures" in New York City and Nearby Attractions, Fodor's Travel Guide, New York 1983, 70-80.

Source:^[13]

• Stockholm Builds, MoMA, New York, August 4 – September 8, 1941;
• Brazil Builds,^[14] MoMA, New York, January 13 – February 28, 1943, for Philip Lippincott Goodwin;
• Power in the Pacific, MoMA, New York, January 23 – March 20, 1945, for Captain Edward Steichen;
• The Postwar Church in Germany,^[15] The Goethe House, New York, November 14 – December 14, 1957;
• The Work of Alvar Aalto,^[16] The Octagon House, Washington, December 11–29, 1963;
• America's Architectural Heritage,^[17] Memphis Chapter AIA, January 14 – February 5, 1978, Memphis, Tennessee;
• Reflection on Church Architecture: A Celebration,^[18] The Smithy Pioneer Gallery, New York, July 30 – August 17, 1991.

• An Architectural Odyssey with G. E. Kidder Smith, a documentary produced by WNET. Concept, writing, and production Milton Hoffman. Reviewed by Wolf Von Eckardt, "TV's Monumental Miss," Washington Post, August 2, 1978, D9.

Source:^[19]

• The Magnificence of Italy (c. 1957– 1961);
• The Architecture of India (c. 1967, c. 1990).

• Citation of the United States Navy Photographic Institute – October 27, 1945;
• Medal for Architectural Photography by the American Institute of Architects – 1963;
• Preservation of Modern Architecture such as Robie House and Villa Savoye.^[20]

In 1946, he was both a Guggenheim Fellow and an American-Scandinavian Fellow. In 1949, Smith was a President's Fellow at Brown University. He was awarded Fulbright Research Fellowships to Italy in 1950 and India in 1965, and a Samuel H. Kress Foundation grant in 1967. In 1967 and 1974, he received awards from the National Endowment for the Arts (NEA) and the Graham Foundation for Advanced Studies in the Fine Arts. Additionally, in 1970 and 1975, he received Ford Foundation grants.

He gave lectures at numerous architecture schools in the US, Eastern Europe, England, Ireland, India, Italy, Afghanistan, Argentina, and Japan for the State Department and Foreign Service. He also taught at Yale (1948-49) and was a visiting professor at MIT (1955-56).

Source:^[21]

G. E. Kidder Smith's photographs and papers are housed in the following collections:

• Università Iuav di Venezia. Archivio G. E. Kidder Smith, Archivio Progetti, Venice, Italy;^[22]
• The Robert Elwall Photographs Collection at the RIBA, British Architectural Library, London, UK;^[23]
• The Rotch Library Visual Collections, MIT Libraries, Cambridge, Massachusetts: Kidder Smith Collection of American Architecture;^[24]
• Virginia Fine Art Museum, Richmond (VA);^[25]
• Getty Image.^[26]