Gaetano Bellei

Gaetano Bellei was born in the family of Lorenzo and Vienna Molinari.^[2] After completing his art education at the Academy of Fine Arts in Modena, under the direction of Adeodato Malatesta,^[3] he moved to Rome, where he studied at the Accademia di San Luca, and then at the French and Spanish academies.

In 1883, Bellei went to Florence for a year, where, using the scholarship he had received for artists, he completed his studies. There, thanks to his ability to work in different genres, he became friends with collectors, merchants and patrons of English descent, who commissioned him for various types of work. During this period, Bellei met Gaetano Chierici. He died in Modena in 1922.^[4]

At an early stage of his work, Bellei painted genre scenes, the details and features of which he subsequently often reproduced, with various variations, in new works, since they are appreciated by collectors and patrons of the arts. The narrative nature and frivolous themes of his paintings are combined with excellent technique and often in line with mainstream European trends. Bellei was also involved in portraiture and sacred painting. Beginning in 1893 he taught at the Modena Academy, but continued to participate in exhibitions such as Turin in 1898, Milan in 1906 and Rome in 1911.^[4] In 1876, while still a student, he won the competition for the Poletti Prize with the painting Francesco Francia Admiring Raphael's Saint Cecilia for the First Time, defeating Achille Boschi. Thanks to this eminently scenographic picture, Bellay became a Fellow. Subsequently, his paintings departed from academism, causing controversy with their realistic character. Thus, Resfa – a work in rough and dark colors, inspired by German Symbolism – at first attracted criticism, but then was widely recognized as "the best painting of modern art in Modena".^[2]

Domenico Morelli has argued that Bellei "seems to hold both the imaginary and the real".^[4]