Gary Cooper filmography
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American actor Gary Cooper started his career in 1925 as a film extra and stuntman. He made his official cinematic debut in 1926 in the Samuel Goldwyn production The Winning of Barbara Worth.[1] He went on to become a contract player with Paramount Pictures where he established himself as a popular leading man prior to the end of the silent film era.
Cooper's future in the sound era was assured with the release of The Virginian (1929), his first all-talkie film.[2] For the next 32 years, he would be one of cinema's top money-making stars. From 1936 to 1957, Cooper ranked 18 times among the top ten box office attractions—a record when he died in 1961, and later surpassed only by John Wayne, who ranked among the top ten 25 times, Clint Eastwood (21 times) and Tom Cruise (20 times).
Cooper was nominated for the Best Actor Academy Award five times and won twice, for Sergeant York (1942) and High Noon (1952). The latter film boosted his popularity, resulting in him being the number one box office attraction in 1953. Cooper received a third Academy Award—an honorary one—just prior to his death. His final film, The Naked Edge, was released posthumously.[3]
As of February 2008, more than half of Gary Cooper's feature films are available on DVD, while others not yet on home video are available for television broadcast. Unfortunately, at least two of his silent films—Beau Sabreur (1928) and The Legion of the Condemned (1928)—are now considered lost films.[4][5] Another of his silent films, Wolf Song (1929), was originally released as a part talkie, but survives only as a silent film.[6] One of Cooper's earliest talkies, Paramount on Parade (1930), survives incomplete. The prints that are available for television are missing all but one of the film's Technicolor scenes—a partial restoration of these scenes was done by the UCLA Film Archives.[7]
The filmography contains sections for Cooper's work as an extra in the earliest part of his film career, his feature film appearances, his occasional appearances in short films, and a section for a compilation film. Due to its length (92 films), the listing of his feature films is divided in four sections. Cooper's film roles are listed, as well as the names of each film's director and co-stars. Cooper's awards and nominations are also listed. Except where noted, all of his films were shot in 35mm black and white. All films released prior to Lilac Time (1928) are silent films and all from The Virginian (1929) onward are sound films. The films made during the silent-to-sound transition are noted as being either silent or sound films. As an addendum, Cooper's handful of television appearances are also listed.
Feature films as an extra, 1925–26
| Year | Title | Role | Notes | Ref |
|---|---|---|---|---|
| 1925 | Dick Turpin | Extra | Film debut | [8] |
| The Trail Rider | Rider | [9] | ||
| The Thundering Herd | Bit part | [10] | ||
| Riders of the Purple Sage | Rider | [9] | ||
| Drug Store Cowboy | Cowboy | [9] | ||
| Wild Horse Mesa | [10] | |||
| The Lucky Horseshoe | Extra | [10] | ||
| The Vanishing American | [10] | |||
| The Eagle | Masked Cossack | [10] | ||
| Tricks | Bit part | [11] | ||
| Warrior Gap | [12] | |||
| North Star | [10] | |||
| Ben-Hur | Roman guard | [9] | ||
| 1926 | Three Pals | Bit part | [13] | |
| The Enchanted Hill | [10] | |||
| The Johnstown Flood | Flood survivor | [14] | ||
| A Six Shootin' Romance | Extra, Lost film | [15] | ||
| Watch Your Wife | Bit part | [10] | ||
| Thundering Speed | [12] |
Feature films, 1926–30
| Year | Title | Role | Notes | Ref |
|---|---|---|---|---|
| 1926 | The Winning of Barbara Worth | Abe Lee | [16] | |
| 1927 | It | Reporter | [17] | |
| Children of Divorce | Ted Larrabee | [18] | ||
| Arizona Bound | Dave Saulter | Lost film | [19] | |
| Wings | Cadet White | Magnascope sequences | [20] | |
| Nevada | Nevada | [21] | ||
| The Last Outlaw | Sheriff Buddy Hale | [22] | ||
| 1928 | Beau Sabreur | Major Henri de Beaujolais | Lost film[4] | [23] |
| The Legion of the Condemned | Gale Price | Lost film[5] | [24] | |
| Doomsday | Arnold Furze | [25] | ||
| Half a Bride | Captain Edmunds | [26] | ||
| Lilac Time | Captain Philip Blythe | Silent film with synchronized music and sound effects[27] | [28] | |
| The First Kiss | Mulligan Talbot | Silent film | [29] | |
| The Shopworn Angel | William Tyler | Silent film with talking sequences, synchronized music, and sound effects[30] | [31] | |
| 1929 | Wolf Song | Sam Lash | Silent film with talking sequences, synchronized music, and sound effects[6] | [32] |
| Betrayal | Andre Frey | Silent film with talking sequences, synchronized music, and sound effects[33] Lost film |
[34] | |
| The Virginian | The Virginian | [35] | ||
| 1930 | Only the Brave | Captain James Braydon | [36] | |
| Paramount on Parade | Hunter ("Dream Girl") | Part Technicolor | [37] | |
| The Texan | Enrique, The Llano Kid | [38] | ||
| Seven Days' Leave | Kenneth Downey | [39] | ||
| A Man from Wyoming | Jim Baker | [40] | ||
| The Spoilers | Roy Glenister | [41] | ||
| Morocco | Légionnaire Tom Brown | [42] |
Feature films, 1931–40
Feature films, 1941–50
Feature films, 1951–61
| Year | Title | Role | Notes | Ref |
|---|---|---|---|---|
| 1951 | You're in the Navy Now | Lt. John Harkness | [97] | |
| Starlift | Himself (unbilled cameo) |
[98] | ||
| It's a Big Country | Texas | [99] | ||
| Distant Drums | Capt. Quincy Wyatt | Technicolor | [100] | |
| 1952 | High Noon | Will Kane | ♦ Academy Award for Best Actor[101] ♦ Golden Globe Award for Best Actor[77] ♦ Photoplay Award for Most Popular Male Star[77] |
[102] |
| Springfield Rifle | Major Alex Kearney | Warnercolor | [103] | |
| 1953 | Return to Paradise | Mr. Morgan | Technicolor | [104] |
| Blowing Wild | Jeff Dawson | [105] | ||
| Boum sur Paris | Himself | [106] | ||
| 1954 | Garden of Evil | Hooker | CinemaScope Technicolor |
[107] |
| Vera Cruz | Benjamin Trane | Superscope Technicolor |
[108] | |
| 1955 | The Court-Martial of Billy Mitchell | Col. Billy Mitchell | CinemaScope Warnercolor |
[109] |
| 1956 | Friendly Persuasion | Jess Birdwell | CinemaScope Eastmancolor ♦ Nominated — Golden Globe Award for Best Actor[77] |
[110] |
| 1957 | Love in the Afternoon | Frank Flannagan | [111] | |
| 1958 | Ten North Frederick | Joe Chapin | CinemaScope | [112] |
| Man of the West | Link Jones | CinemaScope Deluxe color |
[113] | |
| 1959 | The Hanging Tree | Doc Joseph Frail | Technicolor Laurel Award for Top Action Performance[114] |
[115] |
| Alias Jesse James | Himself (unbilled cameo) |
Deluxe color | [116] | |
| They Came to Cordura | Major Thomas Thorn | CinemaScope Eastmancolor ♦ Laurel Award for Top Action Performance[114] |
[117] | |
| The Wreck of the Mary Deare | Gideon Patch | CinemaScope Metrocolor |
[118] | |
| 1961 | The Naked Edge | George Radcliffe | Posthumous release; final film role | [119] |
Short films
| Year | Title | Role | Notes | Ref |
|---|---|---|---|---|
| 1926 | Lightnin' Wins | Tom Harding | [11] | |
| 1931 | The Stolen Jools | Himself | [11] | |
| 1932 | The Voice of Hollywood No. 13 (Second Series) | [11] | ||
| Hollywood on Parade | [120] | |||
| 1933 | Hollywood on Parade No. A-13 | [121] | ||
| 1934 | Hollywood on Parade No. B-6 | [121] | ||
| The Hollywood Gad-About | [122] | |||
| Star Night at the Cocoanut Grove | Technicolor | [11] | ||
| 1935 | Screen Snapshots Series 14, No. 8 | [123] | ||
| La Fiesta de Santa Barbara | Technicolor | [124] | ||
| 1937 | Lest We Forget | Cooper talking with Harry Carey about Will Rogers | [124] | |
| 1940 | Screen Snapshots: Seeing Hollywood | Cooper as a rodeo spectator | [123] | |
| Screen Snapshots Series 19, No 6: Hollywood Recreations | [123] | |||
| 1941 | Breakdowns of 1941 | [125] | ||
| 1944 | Memo for Joe | Cooper with the troops on his USO tour of the Pacific | [124] | |
| 1949 | Screen Snapshots: Motion Picture Mothers, Inc. | [123] | ||
| Snow Carnival | Narrator | Technicolor | [126] | |
| 1955 | Screen Snapshots: Hollywood Premiere | Himself | [123] | |
| Hollywood Mothers | [126] | |||
| 1958 | Screen Snapshots: Glamorous Hollywood | [123] | ||
| 1959 | Premier Khrushchev in the USA | [127] |
Compilation films
| Year | Title | Role | Notes | Ref |
|---|---|---|---|---|
| 1939 | Land of Liberty | Multiple | Historical events as shown in films[Note 1] | [128] |
Television
| Year | Title | Role | Episode | Broadcast | Ref |
|---|---|---|---|---|---|
| 1953 | Toast of the Town | Himself | 5.21 | February 1, 1953 | [129] |
| 1955 | The Ed Sullivan Show | 8.14 | December 25, 1955 | [130] | |
| 1956 | Cinépanorama | 9 | December 9, 1956 | [131] | |
| 1957 | Cinépanorama | 15 | May 16, 1957 | [132] | |
| The Ed Sullivan Show | 9.41 | July 7, 1957 | [130] | ||
| 1958 | Wide Wide World | 3.20 | June 6, 1958 | [133] | |
| The Jack Benny Program | 95 | September 21, 1958 | [134] | ||
| 1959 | The Perry Como Show | — | February 27, 1959 | [135] | |
| What's My Line? | 487 | October 18, 1959 | [136] | ||
| 1961 | Project 20: The Real West | Host and narrator | 20 | March 29, 1961 | [137] |
Radio appearances
| Year | Program | Episode | Ref |
|---|---|---|---|
| 1937 | Lux Radio Theatre | Mr. Deeds Goes to Town | [138] |