Gean House

Completed in 1912,^[1] Kerr's design for Gean was greatly influenced by the work of English architect, Edwin Lutyens (1869–1944). Lutyen's early work marked the transition from the authoritative and imposing Victorian country house style to the softer, Arts and Crafts style of the Edwardian era, that sought to integrate houses and gardens into the landscape.^{[citation needed]} There are therefore striking differences between the late Victorian design of Inglewood and the romantic, retro style chosen for Gean, despite being built only 12 years later.

Gean House bears all the hallmarks of Lutyen's romantic approach, deploying traditional materials and extensive planting. The steep roofs, tall chimneystacks and side entranceway at Gean are all notable Lutyen's features, as interpreted by Kerr.^{[citation needed]} The design of Gean also reflects the prevalent changes in social and economic conditions. As jobs in factories and offices increasingly offered better pay, fewer hours and more independence, suitable domestic staff were becoming difficult to find. Servants therefore had to be tempted to work in country houses by ensuring that they were less arduous to run and offered improved standards of staff accommodation.

Modern, labour-saving, technology was therefore enthusiastically embraced at Gean including central heating, gas ignition coal fires and electric lighting. The service wing was designed to be very much part of the main house, with attractive, south facing, staff bedrooms overlooking the principal gardens. Only the higher sill levels of the service wing windows distinguish this section of the house.

Despite its modernity, Gean House incorporates many features to be found in country houses of earlier periods: the grand hall, complete with minstrels' gallery, the timber-panelled dining room, the drawing room, the library and the billiard room. Inglenook fireplaces form a decorative feature throughout Gean, and a practical means of retaining fireside heat. Conservatories were no longer fashionable in Edwardian Britain, but loggias and Japanese-style gardens were very much in vogue and incorporated into the grand plan. A local firm, Robert Cairns of Alloa, was engaged to build Kerr's design. Gean House functioned as an affluent family home for fewer than 40 years.

Gean remained a Paton family residence until 1951, when it was donated to the Scottish Temperance Alliance for use as a conference and study centre. During the 1970s, both the north and south lodges and a policy field were sold off, and much of the parkland given to the local council. Despite raising money by dismembering the estate, the registered owners, The Gean House (Scottish Temperance Alliance) Limited, went into liquidation in 1979.

The house was sold to Donald Aarons, a Melbourne-based businessman in 1982, but remained boarded up and abandoned for a further seven years until it found new owners with ambitions to turn the house into an exclusive private hotel. A considerable investment was made in 1989 to partially restore the building and redress years of neglect. However, within a few years, the hotel business failed.

In 1999, Gean House was bought by an Alloa-based trust company, now known as Ceteris. The company fully restored the property as a venue for a wide range of business and social events. In October 2018, the property was purchased by local businessman and chairman of Alloa Athletic football club, Mike Mulraney. It was subsequently turned back into a private residence and is currently under further modernisation and restoration. Gean House is a category A listed building.^[2]