Geoffrey Batchen

Australian art historian From Wikipedia, the free encyclopedia

Geoffrey Batchen (born 21 November 1956, Melbourne, Australia) is an Australian art historian. Since 2020, Batchen has been Professor of Art History at the University of Oxford and a fellow of Trinity College.[1]

Born (1956-11-21) 21 November 1956 (age 69)
OccupationsArt historian and academic
TitleProfessor of the History of Art
Quick facts Born, Occupations ...
Geoffrey Batchen
Born (1956-11-21) 21 November 1956 (age 69)
OccupationsArt historian and academic
TitleProfessor of the History of Art
Academic background
Alma materUniversity of Sydney
Doctoral advisorVicki Kirby
Academic work
DisciplineArt history
Sub-discipline
InstitutionsUniversity of California, San Diego
University of New Mexico
City University of New York
Victoria University of Wellington
Trinity College, Oxford
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Career

Professor

Assistant Professor, Visual Arts, University of California, San Diego, 1991–1996; Associate Professor, Art and Art History, University of New Mexico, Albuquerque, 1996–2001; Professor of Art History: City University of New York Graduate Center, New York City, 2002–2010; Victoria University of Wellington, New Zealand, 2010–2019.[1][2]

Much of Batchen's work as a professor and curator focuses on the history of photography,[3] a field in which he publishes books and contributes to journals including Journal of Visual Culture,[4] Art History,[5] History of Photography,[6][7] The Art Bulletin,[8] Membrana: Journal of Photography,[9] British Art Studies,[10] Aperture,[11] Trans Asia Photography,[12] World Art,[13] Photographica,[14] and photographies.[15]

Curator

His curated exhibitions have been shown at the Museu Nacional de Belas Artes in Rio de Janeiro; the New England Regional Art Museum in Amridale, Australia; the Van Gogh Museum in Amsterdam; the National Media Museum in Bradford, England; the International Center of Photography in New York; the Wallraf-Richartz-Museum in Cologne, Germany; the Izu Photo Museum in Shizuoka, Japan; the National Museum of Iceland in Reykjavik; the Adam Art Gallery in Wellington, New Zealand; the Govett-Brewster Art Gallery in New Plymouth, NZ; and the Centre for Contemporary Photography in Melbourne, Australia.[16]

Bibliography

  • Burning with Desire: The Conception of Photography (MIT Press, 1997)[17]
  • Each Wild Idea: Writing, Photography, History (MIT Press, 2001)[17]
  • Forget Me Not: Photography and Remembrance (Princeton Architectural Press, 2004)
  • William Henry Fox Talbot (Phaidon Press, France, 2008)
  • What of Shoes: Van Gogh and Art History (E. A. Seemann, 2009)
  • Photography Degree Zero: Reflections on Roland Barthes's Camera Lucida (MIT Press, 2009)[17]
  • Suspending Time: Life, Photography, Death (2010)
  • Emanations: The Art of the Cameraless Photograph (Prestel Publishing, 2016)
  • Apparitions: Photography and Dissemination (Power Publications, 2018)
  • Negative/Positive: A History of Photography (Routledge, 2020)

References

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