Georg Muschner
German cinematographer
From Wikipedia, the free encyclopedia
Georg Muschner (12 June 1885 – 17 May 1971) was a German cinematographer. He worked on over sixty productions during his career in the Weimar Republic, Austria, and Nazi Germany. Muschner originally worked as a portrait photographer, before entering the film industry during the silent era. He worked on several Harry Piel films, including His Greatest Bluff.[1] During the 1930s he often worked with the director Johann Alexander Hübler-Kahla.
Born12 June 1885
Died17 May 1971 (aged 85)
OccupationCinematographer
Yearsactive1920–1939
Georg Muschner | |
|---|---|
| Born | 12 June 1885 |
| Died | 17 May 1971 (aged 85) |
| Occupation | Cinematographer |
| Years active | 1920–1939 |
Selected filmography
- The Flying Car (1920)
- The Lost House (1922)
- Rivals (1923)
- Judith (1923)
- The Last Battle (1923)
- Women's Morals (1923)
- Dangerous Clues (1924)
- The Fake Emir (1924)
- By Order of Pompadour (1924)
- The Man Without Nerves (1924)
- A Dangerous Game (1924)
- Zigano (1925)
- Adventure on the Night Express (1925)
- The Dealer from Amsterdam (1925)
- Swifter Than Death (1925)
- Eyes Open, Harry! (1926)
- The Black Pierrot (1926)
- His Greatest Bluff (1927)
- Night of Mystery (1927)
- The Girl Without a Homeland (1927)
- What a Woman Dreams of in Springtime (1929)
- Flachsmann the Educator (1930)
- Rag Ball (1930)
- The Citadel of Warsaw (1930)
- Pension Schöller (1930)
- Such a Greyhound (1931)
- Errant Husbands (1931)
- The Battle of Bademunde (1931)
- Mrs. Lehmann's Daughters (1932)
- Our Emperor (1933)
- Dance Music (1935)
- Blood Brothers (1935)
- Across the Desert (1936)
- The Violet of Potsdamer Platz (1936)
- The Mysterious Mister X (1936)
- Meiseken (1937)
