Gerlinde Gruber
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Gerlinde Gruber | |
|---|---|
| Born | 1970 (age 55–56) |
| Alma mater | University of Vienna |
| Occupations | Art historian, curator |
Gerlinde Gruber (born 1970) is an Austrian art historian and curator specializing in Flemish Baroque painting. Since 2006, she has served as the curator for Flemish paintings at the Gemäldegalerie (Picture Gallery) of the Kunsthistorisches Museum (KHM) in Vienna. She is recognized for her expertise in the works of Peter Paul Rubens and Michaelina Woutiers, as well as her contributions to exhibitions, technical art studies, and scholarly publications.[1]
Gruber is the principal institutional figure responsible for framing Wautier’s rediscovery within the Viennese museum context.[2]
Gerlinde Gruber studied art history and Romance studies at the University of Vienna, where she developed a strong interest in Flemish and Baroque art. Her master's thesis focused on tapestry production at Fontainebleau during the reign of Francis I, a subject she explored during her internship at the Kunsthistorisches Museum.[citation needed]
She completed her doctoral dissertation on Giacomo Francesco Cipper (“Il Todeschini”), an Austro-Italian genre painter, during her research stints in Milan and Florence.[3] From 1999 to 2001, she worked at the Albertina Museum in Vienna, focusing on provenance research and database creation.[4] In 2001, she joined the Kunsthistorisches Museum as curator of Dutch and Flemish Baroque art.[5]
Exhibitions and projects
Gruber has curated several notable exhibitions, including:
- ‘Rubens in Vienna’ (2004): An exploration of Peter Paul Rubens’ contributions to Baroque art.[6]
- ‘Sensual, Female, Flemish’ (2009): A study of depictions of women in Flemish Baroque art, including works by Rubens, Van Dyck, and Michaelina Woutiers.[7]
- ‘Rubens: The Power of Transformation’ (2017–2018): Co-curated with Jochen Sander, this exhibition examined Rubens’ process of adapting and transforming earlier works.[8]
