Ghost Killer
2024 Japanese film
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Ghost Killer (Japanese: ゴーストキラー, Hepburn: Gosuto Kira) is a 2024 Japanese action comedy film.[2]
- 2024 (Fantastic Fest)
- April 11, 2025 (Japan)
| Ghost Killer | |
|---|---|
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| Directed by | Kensuke Sonomura |
| Written by | Yugo Sakamoto |
| Starring | Akari Takaishi |
Release dates |
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| Country | Japan[1] |
Background and development
Priot to making Ghost Killer, Yugo Sakamoto and Kensuke Sonomura have worked together on the Baby Assassins film and television series of action comedies, with Sakamoto scripting and directing and Sonomura handling the action. For Ghost Killer, Sonomura took over as the director while Sakamoto scripted the film. The lead actress is Akari Takaishi who also appeared in the Baby Assassins franchise.[3][4]
Release
Ghost Killer premiered at the 2024 Fantastic Fest.[1] It later played at other film festivals, including Beyond Fest, and Sitges International Fantastic Film Festival.[5] It was released on April 11, 2025 in Japan.[4]
Reception
Mark Schilling of The Japan Times said that the laughs in the film land gags solidly and that the action scenes were brought together with a high level of skill. Schilling said that the various plot turns were "all-too familiar, if not quite AI-generated dreck."[3]
James Perkins of Starburst complimented the fight choreography as being "refreshingly tangible. Rather than burying everything under frantic editing, the camera actually lets performers move." which he concluded as giveing it "flashes of the balletic brutality of John Wick, but with scrappier, more playful energy."[6] Perkins found that what elevated Ghost Killer was its "unexpected humanity".[6] The relationship between Fumika and Kudo shifts from revenge to a closer understanding slips in a light but pointed commentary on toxic masculinity and social apathy.[6] Leslie Felperin of The Guardian commented that the film felt "targeted more at a masc-centric audience", but complimented that Sakamoto's script hinges on key scenes where women's right to not be degraded and injured by men are championed. The review also complimented that Fumika spends most of the film in tracksuit trousers, a puffer coat and a knitted beanie instead of "some kind of nymphet-adjacent outfit designed to titillate viewers."[2]