Giuseppe Mascarini
From Wikipedia, the free encyclopedia
He enrolled at the Brera Academy, but deferred it to pursue painting independently.[1] In 1914, he married the Swiss painter Elvezia Michel, who was related to Giovanni Giacometti and Alberto Giacometti.[1]
Artistic style
Mascarini was a part of the late-nineteenth-century Lombard naturalism artistic movement, he mainly focused on Ligurian seascapes, still lifes and the study of the human figure, with a particularly emphasis on the emotional aspects of the mother-child relationship.[1]
Main exhibitions
Mascarini exhibited his works at La Permanente in Milan, the National Exhibition of Fine Arts in 1922 with Carlo Bazzi,[2][3][4] the Quadriennale di Roma[5] and at the Biennali di Venezia in 1912[6] and subsequently in 1950.[7]