Give or Take
2022 studio album by Giveon
From Wikipedia, the free encyclopedia
Give or Take is the debut studio album by the American singer-songwriter Giveon, released June 24, 2022, via Epic Records and Not So Fast.[1][2][3] The album includes production from Cardo Got Wings, Boi-1da, Sevn Thomas, Jahaan Sweet, Rogét Chahayed, Don Mills, and Giveon himself, among others.
| Give or Take | ||||
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| Studio album by | ||||
| Released | June 24, 2022 | |||
| Genre | ||||
| Length | 45:12 | |||
| Label |
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| Producer |
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| Giveon chronology | ||||
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| Singles from Give or Take | ||||
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Background
Give or Take, which serves as the follow-up to Giveon's extended plays Take Time (2020) and When It's All Said and Done (2020), is Giveon's first full-length project, released after two years in the making.[4] The album explores themes such as fame, love, and heartbreak. The album is structured in the form of a series of discussions between Giveon and his mother, with dialogue interspersed between some of the album's tracks. "The album concept is just me having a conversation with my mom", Giveon explained in an interview. "I am finally expressing to her everything I've been through for the last 18 to 24 months. As if I'm reading right out of a diary, I told her that I want to have a conversation. I just wanted it to be her and myself", he gave as the reason as to why he chose to omit guest features from the album.[5]
Singles and music videos
Style and reception
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[9] |
| Review scores | |
| Source | Rating |
| AllMusic |   [10] |
| The Line of Best Fit | 8/10[11] |
| Pitchfork | 6.0/10[12] |
According to the review aggregator Metacritic, Give or Take received "generally favorable reviews" based on a weighted average score of 72 out of 100 from 6 critic scores.[9] The Line of Best Fit's Josh Herring wrote that "the soothing nature of production is well complemented by beautiful baritone and reminiscent of an earlier form of R&B and soul music, one that is absent of traces of pop that riddles the genre contemporarily" and that "If you're looking for an authentic, soulful experience, then this is the album for you." The singles "For Tonight" and "Lie Again" are "stealing the show" and it "feels the album was geared to build up towards the higher-flying vocals of the lead singles and wind down into the latter half of the album" with an impressive vocal range on display. The album's "sonic range" is "limited", but "can still be a captivating experience – meaning, it doesn't necessarily have 'bangers',[a] though that isn't to say this isn't a valuable listening experience."[11]
Pitchfork's DeAsia Paige wrote that the album faced a similar issue to Giveon's 2020 cover of D'Angelo's consummate "Untitled (How Does It Feel)" which "has all the spiritual vigor of a partner who sends you a lengthy good morning text every day; it's just not that stimulating." The album's "expansive ballads seek to scale the highs and lows of love and heartbreak" but "Giveon more often sounds like he's cruising on autopilot in the center lane." Giveon "cautioned fans to keep a box of tissues nearby" in case they cried during their listening experience, but this is "not necessary". The album "paints a very familiar story of a hopeless romantic who's searching to understand their flaws and solve their relationship woes in the throes of newfound fame", but there's "no shortage of this narrative in contemporary R&B". Compared to rum.gold's Thicker Than Water and Lucky Daye's Painted, on which "the challenge of being a self-aware lover is illuminated with a lush variety of soul-baring vocal arrangements that would make love's most dedicated critics become open to understanding the possibilities of healthy romance", "Giveon's narrative doesn't land." Paige closes by noting that Take Time-era Giveon "experimented with melody and challenged himself vocally" while on Give or Take he "stunts that growth in favor of secluding himself in his comfort zone."[12]
Year-end lists
| Publication | # | Ref. |
|---|---|---|
| Rolling Stone | 78 | [13] |
Track listing
All tracks are written by Giveon Evans, with other writers noted.
| No. | Title | Writer(s) | Producers | Length |
|---|---|---|---|---|
| 1. | "Let Me Go" |
|
| 2:57 |
| 2. | "Scarred" |
| 2:58 | |
| 3. | "Dec 11th" |
|
| 1:13 |
| 4. | "This Will Do" |
|
| 2:55 |
| 5. | "Get to You" |
| 3:26 | |
| 6. | "Tryna Be" |
|
| 2:51 |
| 7. | "Make You Mine" |
| 3:20 | |
| 8. | "July 16th" |
|
| 1:51 |
| 9. | "For Tonight" |
| 3:12 | |
| 10. | "Lost Me" |
|
| 3:01 |
| 11. | "Lie Again" |
|
| 3:02 |
| 12. | "Another Heartbreak" |
|
| 4:09 |
| 13. | "At Least We Tried" |
| Newbill | 3:33 |
| 14. | "Remind Me" |
|
| 3:24 |
| 15. | "Unholy Matrimony" |
| 3:20 | |
| Total length: | 45:12 | |||
Note
- ^[a] signifies an additional producer
Personnel
Credits adapted from Tidal.[14]
- Giveon – vocals
- Brian Cruz – recording engineer
- Rodrigo Barahona – recording engineer (1, 2, 10–12)
- Andrew Schwartz – recording engineer (4)
- Sam Valentine Zuckerman – recording engineer (5, 6, 8)
- Robert N. Johnson – assistant engineer (1, 2, 4, 5, 8, 11, 12)
- Syd Tagle – assistant engineer (3, 7, 13, 14)
- Ian Rene – assistant engineer (6, 10)
- Jonathan Lopez Garcia – assistant engineer (6, 9)
- Brodie Means – assistant engineer (10)
- Josh Seller – assistant engineer (12)
- John Kercy – mixing engineer
- Colin Leonard – mastering engineer (1–5, 7–15)
- Nils – programming (5, 10)
- Peter Lee Johnson – programming (2, 4, 5, 12)
- Trisha Cruzada – programming (5, 14)
- Ayanna – programming (12)
- Syd – programming (12)
- Victor – programming (12)
Charts
Weekly charts
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Year-end charts
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Certifications
| Region | Certification | Certified units/sales |
|---|---|---|
| Canada (Music Canada)[27] | Gold | 40,000‡ |
| New Zealand (RMNZ)[28] | Gold | 7,500‡ |
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‡ Sales+streaming figures based on certification alone. | ||
