Goodbye Earl (Ted Lasso)

"Goodbye Earl" received positive reviews from critics. Myles McNutt of The A.V. Club gave the episode a "B+" and wrote, "And in this way, 'Goodbye Earl' is meant to disarm us: we're presented with an overly cheery version of AFC Richmond's status quo, where everyone is happy even when the team is no closer to escaping relegation, and where none of the characters have resolved any of the inner struggles that were revealed over the course of last season. And so while Dr. Fieldstone's arrival is positioned to solve those and other struggles, her sudden arrival disrupts the honeymoon vibe the show entered by the end of last season, and creates a foundation on which the show will hopefully build a new journey for these characters worthy of their journey thus far."^[2]

Alan Sepinwall of Rolling Stone wrote, "For a while, 'Goodbye, Earl' seems to be presupposing that a comedy might not need ongoing tension. When we catch up with all our pals, Richmond is playing through the final minutes of their eighth game in the lower Championship league. They have no wins under their belt so far; but the Greyhounds also have no losses. There's a maxim attributed to various hardass American football coaches that 'a tie is like kissing your sister.' But Ted Lasso is anything but a hardass. In many ways a tie is his platonic ideal for how every game should end: Nobody has to go home completely sad about the outcome."^[3]

Keith Phipps of Vulture gave the episode a 4 star rating out of 5 and wrote, "Something about Ted Lasso struck a chord of the sort last sounded by The Good Place. It was funny, charming, and quotable, but it also had a lot on its mind beyond making easy jokes about an unassuming Yank football coach trying to figure out how to coach an English soccer team despite having no experience with the sport. Ted Lasso humbly asked some big questions and strived to be a show about what it means to be a good person. It did so without resorting to easy lessons or simple moralizing, and in Ted it found an avatar of goodness who was both unmistakably, goofily human and a man of unexpected complexity."^[4] Becca Newton of TV Fanatic gave the episode a 4 star rating out of 5 and wrote, "Ted Lasso is back, but is it better than ever? The answer is yes - thousand times yes. 'Goodbye Earl' wastes no time getting the audience back into the action and improving on what came before."^[5]

Linda Holmes of NPR wrote, "In a strong season premiere, Ted Lasso survives a risky opening scene and opens a new line of inquiry: What about the problems a miracle coach doesn't know how to fix?"^[6] Christopher Orr of The New York Times wrote, "Last season was loaded with foils for Ted: Rebecca, of course, but also Jamie, and in their different ways, Roy, Higgins and Nate. By now, Ted has won all of them over — except Jamie, about whom I again promise more shortly — and the show needs a new source of friction. Will Ted find a way to make Sharon appreciate him? History suggests it's only a matter of time."^[7]

TVLine named Brett Goldstein as an honorable mention as the "Performer of the Week" for the week of July 24, 2021, for his performance in the episode. The site wrote, "There's something magical — nay, poetic — about the way Brett Goldstein delivers Roy Kent's filthiest lines on Ted Lasso. More specifically, the way he manages to imbue every cuss word that comes out of the former footballer's mouth with a sense of what he's feeling. Take, for instance, when he angrily conveyed to girlfriend Keeley that he didn't want to accept a job as a 'f–king football pundit' for Sky Sports ('I'd rather s–t out my own f–king mouth than do that f–king s–t!'), or when he tried his damndest to communicate to Rebecca that she deserves to be with someone who makes her feel like she's been 'struck by f–king lightning.' Roy doesn't like to wear his heart on his sleeve, but he does so unwittingly — and Goldstein is a f–king riot every time."^[8]

• "Goodbye Earl" at IMDb