Guṇabhadra (Jain monk)

8th/9th-century CE Indian Jain monk From Wikipedia, the free encyclopedia

Acharya Guṇabhadra (9th–10th century CE) was a Digambar Jain monk and scholar. He is known as the co-author of the Mahapurana, a major Sanskrit epic of Jain literature. A disciple of Acharya Jinasena, He is also noted to have studied under Acharya Gunasena, one of the senior disciples of Jinasena.[1][2] he is credited with continuing and completing the Jain narrative tradition during the Rashtrakuta period.[3]

Era9th–10th century CE
NotableworkUttarapurana (co-author of the Mahapurana)
ReligionJainism
Quick facts Acharya Gunabhadra, Personal life ...
Acharya Gunabhadra
Personal life
Era9th–10th century CE
Notable workUttarapurana (co-author of the Mahapurana)
Religious life
ReligionJainism
SectDigambara
Religious career
TeacherJinasena, Gunasena
Disciples
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Life

Guṇabhadra was associated with the Digambar tradition and was active during the later part of the Rashtrakuta period.[4] He was a direct disciple of Acharya Jinasena, who composed the Adipurana and part of the Mahapurana. After Jinasena’s Nirvana, Gunabhadra completed the remaining portion of the epic, the Uttarapurana.[5][6]

Works

Uttarapurana

Guṇabhadra is credited with the authorship of the Uttarapurana, which constitutes the second half of the Jain Mahapurana. While his teacher Acharya Jinasena composed the Adipurana, Guṇabhadra completed the narrative with the Uttarapurāṇa, covering the lives of the remaining Tīrthaṅkaras. The text is regarded as an important source for Jain mythology, ethics, and hagiography.[7][8][9]

The combined Mahapurana (Adi + Uttara) became a model for later Jain Purāṇic literature and had a lasting impact on Jain culture in both Sanskrit and Kannada traditions.[10][11]

Legacy

Guṇabhadra is noted for his literary contributions, particularly his role in preserving Jain doctrine through narrative texts. He is credited with the authorship of the Uttarapurana, which, together with the Ādi Purāṇa, constitutes the Mahāpurāṇa, an important work in the Digambara Jain tradition.[12][13]

See also

References

Bibliography

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