Hard Boiled Sweets
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Demelza Jones
David L.G. Hughes
| Hard Boiled Sweets | |
|---|---|
| Directed by | David L.G. Hughes[1] |
| Written by | David L.G. Hughes |
| Produced by | Lara Greenway Demelza Jones David L.G. Hughes |
| Starring | Adrian Bower Philip Barantini Elizabeth Berrington |
| Cinematography | Sara Deane[2] |
| Edited by | Lloyd George[2] |
| Music by | Tom Morrison[2] |
Production company | Fatal Black |
| Distributed by | Universal Pictures[3] |
Release date |
|
Running time | 84 minutes[1] |
| Language | English |
| Box office | $6,462 |
Hard Boiled Sweets is a 2012 British crime drama film written and directed by David L.G. Hughes. It tells the story of a group of squabbling Essex gangsters. The cast includes two actors (Paul Freeman and Ian Hart) that had appeared in Hughes' earlier short film A Girl and a Gun from which this, his first feature, was developed.[2]
London crime boss Jimmy the Gent travels to Southend in Essex to collect some monies owed to him by local gangster Shrewd Eddie. There, various assorted gangsters, corrupt police and petty criminals attempt to steal from Jimmy a case containing £1 million in cash.
Main cast
| Actor | Role |
|---|---|
| Philip Barantini | Dean |
| Elizabeth Berrington | Jackie |
| Adrian Bower | Gerry |
| Liz May Brice | Jenna |
| Paul Freeman | Shrewd Eddie |
| Ty Glaser | Porsche |
| Ian Hart | Joyce |
| Nathaniel Martello-White | Jermaine |
| Danny Sapani | Leroy |
| Peter Wight | Jimmy the Gent |
| Scot Williams | Johnny |
| René Zagger | Fred |
Critical reception
The film was largely negatively received by reviewers. The Guardian's Henry Barnes described it as a glossy hybrid of American noir and British gangster films "with nothing under the wrapper".[4] Tom Seymour of Empire summed it up as "A miserable mess of gangland cliches and narrative tangle".[5] Tom Huddleston of Time Out also found it clichéd – "more Cockernee crime by numbers" – but also suggested that it had "a fistful of decent throwaway gags and enough plot surprises to just about carry it through the rough patches".[6] ScreenDaily praised its technical aspects including Anders Bundgaard's opening credit sequence and Sara Deane's cinematography, describing it overall as "an intriguing debut".[2]