Haris Epaminonda
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Solo and group exhibitions include: The Museum of Modern Art, Aspen Art Museum, The New Museum, Schirn Kunsthalle Frankfurt, Tate Modern, Secession, Modern Art Oxford, Le Plateau (FRAC) d’Île-de-France, Kunsthaus Zürich, KW Institute for Contemporary Art, Point Centre for Contemporary Art, Martin-Gropius-Bau, Kunstmuseum St. Gallen, Hammer Museum, Querini Stampalia, Site Gallery, Malmö Konsthall, The Renaissance Society, Neuer Berliner Kunstverein, Hamburger Bahnhof, Badischer Kunstverein, Museo Madre, Contemporary Art Museum St. Louis, as well as at Documenta 13, Manifesta, Berlin Biennale, São Paulo Biennale, Sharjah Biennale, Athens Biennale, Pune Biennale and Venice Biennale.[2][3][4][5][6][7][8][9]
At the 2019 Venice Biennale, Epaminonda won the Silver Lion for promising young participant in the central exhibition.[10]
Art market
Epaminonda is represented by Sylvia Kouvali Gallery (former RODEO) in London and Athens and Galleria Massimo Minini in Brescia, Italy.[11]
References
- ↑ Farah Nayeri (11 May 2019). Venice Biennale’s Top Prize Goes to Lithuania New York Times.
- ↑ Miles, Jonathan (2006). Gesture Between Worlds: The Art of Haris Epaminonda. Domobaal. ISBN 978-0-9544590-9-3.
- ↑ Dohm, Katharina; Hollein, Max (2011). Haris Epaminonda: Chronicles (in German). König. ISBN 978-3-86335-018-5.
- ↑ "A Glimpse Ahead: Haris Epaminonda — Mousse Magazine and Publishing". Mousse Magazine. 23 July 2019. Retrieved 25 May 2022.
- ↑ "Haris Epaminonda's work transforms ordinary objects into abstract art". Interview Magazine. 8 December 2017. Retrieved 25 May 2022.
- ↑ "Haris Epaminonda". Art in America. 31 March 2016. Retrieved 25 May 2022.
- ↑ "Alessandra Pioselli on Haris Epaminonda". www.artforum.com. Retrieved 25 May 2022.
- ↑ "Haris Epaminonda. Venice Biennale 2019". universes.art. Retrieved 25 May 2022.
- ↑ Projects 96: Haris Epaminonda, November 17, 2011–February 20, 2012 Museum of Modern Art.
- ↑ Farah Nayeri (11 May 2019). Venice Biennale’s Top Prize Goes to Lithuania New York Times.
- ↑ Suzy Hansen (10 February 2012), The Istanbul Art-Boom Bubble The New York Times Magazine.
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