Harold StablerFRSA (10 June 1872 – 11 April 1945) was a designer and craftsman in silver, enamels, pottery, glass and other materials. The Times described him as "one of the most capable industrial artists of his generation, and a successful teacher".[1]
Stabler was born in Levens, Westmorland, the son of George Stabler, a schoolmaster. He was educated at Heversham Grammar School, and was then apprenticed to a wood-carver in Kendal for seven years, after which he went to the art department of Liverpool University.[2] He moved to London in his twenties, settling in the Hammersmith area associated with William Morris and his followers.[1] From 1898 to 1900 he was manager of the Keswick School of Industrial Art.[3] From 1907 to 1937 he was head of the art department of the Sir John Cass Institute, and from 1912 to 1926 he was also on the teaching staff of the Royal College of Art.[1]
As a craftsman, Stabler first made his name as an enameller. He exhibited at the Royal Academy in 1916, 1917 and later. His designs included a silver and enamel mace for Westminster Cathedral, the ceremonial collar of the Royal Victorian Order, and works for the Goldsmiths' Company.[1] He did not confine himself to hand-crafted works. According to an obituarist, "In pottery, glass, and silver he designed for mass production by partly mechanical means with conspicuous success". His work included designs for Pyrex glass. For London Transport he designed posters and decorative work including a London-themed set of tiles used on the wall tiling of some new stations.[1][4][n 1] His obituarist in the Journal of the Royal Society of Arts regarded Stabler as a considerable influence on London Transport's chief executive, Frank Pick.[2] Stabler was one of the founders of the Design and Industries Association, and was elected a Fellow of the Royal Society of Arts in 1938.[2]
In 1906 he married Phoebe McLeish, a sculptor who collaborated with him in some of his decorative work.[1]
Stabler died in Hammersmith on 11 April 1945, aged 72.[1]
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