Have To (song)
From Wikipedia, the free encyclopedia
| "Have To" | ||||
|---|---|---|---|---|
 | ||||
| Single by Brent Faiyaz | ||||
| from the album Icon | ||||
| Released | October 31, 2025 | |||
| Recorded | 2025 | |||
| Genre | R&B | |||
| Length | 3:27 | |||
| Label | ISO Supremacy | |||
| Songwriters |
| |||
| Producers |
| |||
| Brent Faiyaz singles chronology | ||||
| ||||
| Music video | ||||
| "Have To" on YouTube | ||||
"Have To" (stylized as "Have To.") is a song by American R&B singer Brent Faiyaz released on October 31, 2025, through ISO Supremacy and UnitedMasters as the lead single for Faiyaz’s third studio album, Icon (2026). The song was written by Faiyaz, who produced it with Tommy Richman and several other record producers. It is an R&B driven by bass, incorporating elements of neo-soul into its mix. Using a soft and breathy flow, Faiyaz talks about his experience of longing for the presence of a loved one.
Upon its release, "Have To" was met with positive reviews from music critics, who described it as "irresistible" and "sweetly urgent". The song would peak at number one on the Billboard Adult R&B Songs chart. The song was accompanied by a music video directed by Lonewolf that depicts sped-up footage of Faiyaz aboard a private jet.
Faiyaz released his debut mixtape, Larger than Life in October 2023 through ISO Supremacy and UnitedMasters. Faiyaz went on hiatus and later appeared as a feature on American rapper Loe Shimmy's November 2024 remix of "For Me".[1] Later in 2025, Faiyaz began recording new material for his third studio album, Icon (2026). He wiped his Instagram page on July 3, 2025, suggesting he was preparing for an album and posted of what was thought to be a promotional cover for the album.[2] The cover featured the name "Icon" alongside its release date caption, September 19.[3] On July 4, Faiyaz dropped two singles, "Tony Soprano" and "Peter Pan",[4] immediately after the album's announcement.[5] In an interview with Rated R&B's Keithan Samuels, Faiyaz stated that: "This next chapter is about elevation—sonically, visually, and personally. With ‘have to.,’ I wanted to strip things down and get honest, to create a space where vulnerability meets confidence. It’s about embracing who I am now, without compromise, and sharing that journey with people who’ve been riding with me since day one.”[6] On October 31, 2025 "Have To" released through ISO Supremacy as the lead single from his album Icon.[7][8] Alongside an official music video featuring sped-up footage of Faiyaz aboard a private jet.[6] His team said "The night before, Brent sent us a group text pulling the plug on the album".[6] Also confirming that he also had another lead single and video prepared, which were subsequently scrapped.[6][7]
Production and composition
Faiyaz wrote "Have To" alongside its producers and engineers, Tommy Richman, Dpat, Jonah Roy, NDK, and Elliot Davy. "Have To" is 3 minutes and 27 seconds long.[9] It is a bass-driven R&B song that incorporates elements of neo soul, alternative R&B and DMV hip-hop into its mix. Lyrically, the track showcases Faiyaz longing for his significant other while pursuing his career.[6] Across the track, Faiyaz uses a soft and breathy flow; switching between different pitches, with Billboard's Andrew Unterberger describing it as "Faiyaz basically dueting with himself."[10] According to Flaunt's DeAsia Paige, the song is "drenched in crisp 80s synths that—when paired with Faiyaz’s fuzzy falsetto—sound like a dreamy, exhilarating relationship that sweeps you off your feet."[11]
Commercial performance
"Have To" entered at number 20 on the US Billboard Bubbling Under Hot 100 for a week, while it peaked at 1 on the Billboard Adult R&B Songs chart.[7][8] On the New Zealand Hot Singles chart, it debuted at number 22, spending one week in the top 40.
Critical reception
Andrew Unterberger writing for Billboard wrote that the song was "irresistible" and "is an immaculately produced love song about Faiyaz doing whatever he has to do to be where he needs to be".[10] Describing it as "Sweetly urgent but never overly insistent—and winking enough to avoid any undue sweatiness, including multiple vocal tracks of a pitch-altered Faiyaz basically dueting with himself."[10] While Ty Cole of Revolt felt that the record "signaled a maturation both musically and emotionally."[12] Further explaining "The immersive record finds him stripping things down to their rawest form, pairing moody basslines, layered harmonies."[12]