Hayran (vocal style)
Kurdish vocal style
From Wikipedia, the free encyclopedia
Hayran (Kurdish: حەیران, romanized: Ĥeyran, Kurdish pronunciation: [ħɛjˈɾɑːn]) is a form of Kurdish vocal music, performed without instrumental accompaniment, though sometimes with music; It typically consists of several short lyrical verses. The singer of a hayran often addresses personal experiences, such as the hardships of life or expressions of love. In many cases, the performer may also use third-person narrative to recount an impactful story or a significant historical event.[1][2][3]
Hayran is a type of poetic expression.[4]
Etymology
History
The origins of hayran are generally traced back to the ancient civilizations of Mesopotamia.[9] However, some accounts suggest that hayran may have developed during the feudal period, as it was reportedly favored by local nobility (Aghas).[10]
The main region associated with the emergence and development of hayran is the plains of Hewlêr (Erbil).[11][12][13] It later spread from Hewlêr to other regions of Kurdistan.[14]
Types
Hayran can be categorized into two primary musical forms: Serçiyayî (Kurdish: سەرچیایی) and Mecilîsî (Kurdish: مەجلیسی).[15] Each type has distinct stylistic and performative characteristics that reflect the context in which it is traditionally performed.[16][17][18]
Serçiyayî
Serçiyayî is a type of hayran that is sung in a loud voice. The vocalist's voice must have a high range and maintain a strong projection throughout the performance.[19] During the performance, the volume of the voice gradually increases.[20]
Mecilîsî
Mecilîsî is a type of hayran traditionally performed in teahouses and local gatherings. It is characterized by a spontaneous delivery, using a low and quiet voice. This style does not require strong vocal projection or intense vocal effort, which makes it accessible to a wide range of singers.[21][20]
If a hayran consists of fewer than three rhyme units, Serbend, Nawbend, and Duabend, it is considered incomplete and is not regarded as a true hayran.[22]
