Heavenly Bodies: Fashion and the Catholic Imagination
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Heavenly Bodies: Fashion and the Catholic Imagination was the 2018 high fashion art exhibition of the Anna Wintour Costume Center, a wing of The Metropolitan Museum of Art (MMA) which houses the collection of the Costume Institute.[1][2][3]
The exhibition was held at The Metropolitan Museum of Art from May 10th to October 8th, 2018. 1,659,647 people viewed the exhibit, making it the most visited exhibition in the museum's history.[4] The exhibition featured approximately 40 ecclesiastical works from the Sistine Chapel, which were never seen outside the Vatican, surpassing the museum's previous exhibition in 1983 entitled "The Vatican Collections: The Papacy and Art."[5] The exhibition also featured more than 150 ensembles of secular clothing from the 20th century.[6] The dress code for the annual Met Gala held on May 7 2018, was "Heavenly Bodies: Fashion and the Catholic Imagination" to highlight the influence of religion and liturgical vestments on fashion from designers such as Donatella Versace, and Cristóbal Balenciaga.
Andrew Bolton, the Curator in Charge of The Costume Institute since 2015, spoke of the intention behind the exhibition: "Throughout the history of the Catholic Church, dress has affirmed religious allegiances, asserted religious differences, and functioned to distinguish hierarchies as well as gender. Although some might regard fashion as a frivolous pursuit far removed from the sanctity of religion, most of the vestments worn by the secular clergy and religious orders of the Catholic Church actually have their origins in secular dress."[7] The exhibition was to display the interaction between art, fashion, and religion throughout time, as Daniel H. Weiss, President and CEO of The Met stated, "The Catholic imagination is rooted in and sustained by artistic practice, and fashion's embrace of sacred images, objects, and customs continues the ever-evolving relationship between art and religion."[8] Vanessa Friedman of The New York Times commented that "in Catholicism the ritual of getting dressed, the pageantry of dress, is part of its identity and history."[9]
Heavenly Bodies was the largest exhibition ever offered by the Met's Costume Institute and featured over 55 designers.[10] The exhibition was divided into two locations: The Met Fifth Avenue and The Met Cloisters. It ran from its dedicated downstairs hall to the Byzantine and medieval galleries and into the Lehman Wing; it then continued at the Cloisters, the museum's serene home for religious art in Upper Manhattan. The exhibition span 60,000 square feet and 25 galleries.[11] Displays of these garments were showcased throughout multiple locations in the museum to "evoke the concept and practice of pilgrimage."[12] It took 12 trips to the Vatican for Bolton to present the idea and win over members of Pope Francis' inner circle to participate with the exhibition.[13] All of the Vatican-approved pieces included in the exhibition were encased in cubes in the Anna Wintour Costume Center and were not exhibited with any unique fashion per the orders of Rome.[14]
Roman Catholic priest and American theologist David Tracy contributed to the exhibition's catalog with a preface, stating that "The highly visual culture of Catholicism is a natural influence for all manner of artists, fashion designers not exempted."[15] Tracy also countered criticism of the exhibition's theming by arguing "Christianity cannot in fact be understood if one ignores the beauty and goodness in all creation or the tragic elements of suffering, evil and sin in all life. That is the Catholic analogical imagination."[16]
In May 2024, Chantal Fernandez reported through The Cut that Bolton originally conceived the show's theme to be around multiple faiths[17] but later realized that the designers who most interested him such as Galliano, McQueen, and Browne were all Catholic. Bolton originally intended to focus on the relationship between costume and each of the "five world religions" Judaism, Buddhism, Hinduism, Islam, and Christianity.[18] According to The Cut, Versace agreed it would sponsor the entire budget of the exhibition if the show aligned with the brand founder's focus on Christian iconography, prompting the narrower theme.[19] A former employee alleged to the publication that the offer from the brand influenced the decision for the theme: "I don't want to say they decided that in the end, but it was a contributing factor."[20] However, Fernandez states a representative for the museum disagreed with this report but did not elaborate further.[21]
Met Gala
The Costume Institute at the Metropolitan Museum of Art inaugurates its annual exhibition with a formal benefit dinner at The Costume Institute Benefit, also informally known as the 'Met Gala'. The event is The Costume Institute's main source of annual funding for exhibitions, publications, acquisitions, and capital improvements.[22] While raising money for the institute, the gala instates a different 'theme' every year corresponding to the Costume Institute's primary exhibition, where guests are encouraged to showcase different interpretations of the exhibition through their designs. For 2018's gala, the dress code was allegedly described as "Sunday Best" and modesty was recommended in view of the exhibition's links with the Church.[23] The annual gala for the Heavenly Bodies exhibition took place on May 7, 2018. The event's co-chairs were human rights lawyer Amal Clooney, singer Rihanna, designer Donatella Versace, and chief Anna Wintour.[24] Investors Christine and Stephen A. Schwarzman served as Honorary Chairs of the gala alongside the Versace fashion house.[25]
Looks from actress Blake Lively, actress Zendaya, singer Ariana Grande, model Gigi Hadid, singer Rihanna, singer Lana Del Rey, rapper Cardi B, actor Chadwick Boseman, and singer SZA were widely touted as the best-dressed at the gala across numerous publications such as Vogue, Vanity Fair and Harper's Bazaar.[26][27][28] Their looks have been featured in numerous subsequent exhibitions, such as 'Crown to Couture' at Kensington Palace[29] and 'DIVA' at the Victoria and Albert Museum.[30] During the red carpet many attendees wore crowns, wings, Vatican yellow and Papal red to incorporate and reflect religious inspirations into their attire. Retrospective reviews after the gala have hailed the theme as "arguably the best-executed."[31]
