Henryk Siemiradzki

Polish painter (1843–1902) From Wikipedia, the free encyclopedia

Henryk Hektor Siemiradzki (24 October 1843 – 23 August 1902) was a Polish[1][2][3] painter. He spent most of his active creative life in Rome. Best remembered for his large history paintings in the Academic style, he is particularly known for his depictions of scenes from the ancient Greco-Roman world and the New Testament, owned by many national galleries of Europe.[4][5]

Born
Henryk Siemiradzki

24 October 1843
Died23 August 1902(1902-08-23) (aged 58)
Resting place
Skałka, Kraków
Quick facts Born, Died ...
Henryk Siemiradzki
Henryk Siemiradzki in later life
Born
Henryk Siemiradzki

24 October 1843
Died23 August 1902(1902-08-23) (aged 58)
Resting place
Skałka, Kraków
EducationMember Academy of Arts (1873)
Professor by rank (1877)
Alma materV. N. Karazin Kharkiv National University, Imperial Academy of Arts (1871)
Known forPainting
Notable workNero's Torches,
curtain for the Juliusz Słowacki Theatre in Kraków,
curtain for the Lwów Theatre
MovementAcademism
AwardsBig Gold Medal of the Imperial Academy of Arts (1870)
Close

Many Siemiradzki paintings depict scenes from antiquity, often the sunlit pastoral scenes or compositions presenting the lives of early Christians. He also painted biblical and historical scenes, landscapes, and portraits. His best-known works include monumental curtains for the Lviv (Lwów) Theatre of Opera and for the Juliusz Słowacki Theatre in Kraków.

Early life and education

Siemiradzki was born to Hipolit Siemiradzki, a Polish noble and an officer of the Imperial Russian Army (made general in 1871) and Michalina (née Prószyńska) in Novo-Belgorod (now Pechenihy, Chuhuiv Raion, Kharkiv oblast, Ukraine),[6][7] near the city of Kharkiv, where his father's regiment was stationed.[8] The family had origins in Radom land and derived its name from the village of Siemiradz. One of the branches settled near Navahrudak (Nowogródek) in the late 17th century.[6][9]

Henryk's grandfather held the post of podkomorzy in Nowogródek powiat. His parents were close friends with Adam Mickiewicz's family. He studied at Kharkiv Gymnasium where he first learned painting under the local schoolteacher, Dmytro Bezperchy, a former student of Karl Briullov. He entered the physics-mathematics school of Kharkiv University and studied natural sciences there with great interest, but also continued to paint.[6][9]

Adult Life [note 1]

In 1873 he married his 18-year-old cousin, Maria Pruszyńska, who was from the village of Koroleszczewicze, now Koraliszczewicze, by the Svislach river, in modern day Belarus. They had four children. In 1876, the Siemiradzki family moved into their own villa. In 1884 he bought a manor house in village of Strzałków situated in the Radomsko district, where he and his family spent summer holidays for many years.

In 1901, he fell ill and lost his speech. In that autumn he met with Henryk Sienkiewicz in Łódź. Shortly before his death, with the consent of his doctors, he traveled back to his manor house in Strzałkowo where he died in 1902. He was initially buried in the Powązki Cemetery (plot 67-6-1/2), Warsaw. His remains were moved in 1903 to the national Pantheon on Skałka in Kraków.

Artistic career

Nymph, 1869 (Lviv Art Gallery)

After graduating from university with a Kandidat degree he abandoned his scientific career and moved to Saint Petersburg to study painting at the Imperial Academy of Arts from 1864 to 1870. Upon his graduation he was awarded a gold medal. In 1870–1871 he studied under Karl von Piloty in Munich on a grant from the Academy. In 1872 he moved to Rome and later built a studio there on Via Gaeta, while spending summers at his estate in Strzałków near Częstochowa.

In 1873 he received the title of Academician of the Imperial Academy of Arts for his painting Christ and a Sinner, based on a verse Sinner written by Aleksey Tolstoy. In 1878 he received the French National Order of the Legion of Honour and a gold medal at the Paris World's Fair for the painting Flower Vase. In 1876–1879 Siemiradzki worked on frescoes for the Cathedral of Christ the Saviour (Moscow) among his other large-scale projects.[5]

In 1879, he offered one of his best-known works, the enormous Pochodnie Nerona (Nero's torches), painted around 1876, to the newly formed Polish National Museum. The artwork is on display at the Siemiradzki Room of the Sukiennice Museum in the Kraków Old Town, the most popular branch of the museum. Around 1893 Siemiradzki worked on two large paintings for the State Historical Museum (Moscow). In 1894, he produced his monumental curtain for the Juliusz Słowacki Theatre in Kraków.[5]

Commemoration

The modern arts gallery at National University in Kharkiv where he studied, is named after Siemiradzki.[10] In January 2025, on the occasion of the 220th anniversary of the V. N. Karazin Kharkiv National University, a monument to Henryk Siemiradsky was unveiled at the entrance to the gallery in the northern building of the university. The monument was created back in 2021, but its installation and opening were postponed due to quarantine restrictions and a Russian invasion of Ukraine.[11]

in 1910, a street in Lviv connecting the modern streets of Gipsova and Konovalets was named after Henryk Siemiradsky.[12]

Monumental paintings

Siemiradzki's large-scale canvasses, including The Sword Dance influenced by the French Académie des Beaux-Arts, are on display at the national museums of Poland, Russia, and Ukraine; notably, at the Sukiennice Museum, the National Museum, Poznań, Lviv National Art Gallery, Tretyakov Gallery, and others.

Other paintings

See also

Notes

  1. The source for this section is from the Polish Wikipedia entry: https://pl.wikipedia.org/wiki/Henryk_Siemiradzki

References

Related Articles

Wikiwand AI