Hit Me Hard and Soft: The Tour

2024–25 concert tour by Billie Eilish From Wikipedia, the free encyclopedia

Hit Me Hard and Soft: The Tour was the seventh headlining concert tour by American singer-songwriter Billie Eilish, in support of her third studio album Hit Me Hard and Soft (2024).[2] The tour, which was announced on April 29, 2024, started on September 29, 2024, at the Videotron Centre in Quebec City, and concluded on November 23, 2025, at Chase Center in San Francisco. Nat & Alex Wolff, Towa Bird, The Marías, Young Miko, Ashnikko, Finneas, Tom Odell, Lola Young, Syd, Magdalena Bay, Yoasobi, Fujii Kaze and Men I Trust performed as supporting acts.

Location
  • Asia
  • Europe
  • North America
  • Oceania
Associated albumHit Me Hard and Soft
Start dateSeptember 29, 2024 (2024-09-29)
End dateNovember 23, 2025 (2025-11-23)
Quick facts Location, Associated album ...
Hit Me Hard and Soft: The Tour
Tour by Billie Eilish
Location
  • Asia
  • Europe
  • North America
  • Oceania
Associated albumHit Me Hard and Soft
Start dateSeptember 29, 2024 (2024-09-29)
End dateNovember 23, 2025 (2025-11-23)
No. of shows106
Supporting acts
Attendance1.51 million (88 shows)
Box office$226.1 million (88 shows)[1]
Websitebillieeilish.com
Billie Eilish concert chronology
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An accompanying 3D concert film, documenting the Manchester shows and co-directed by Eilish and James Cameron, is set to be theatrically released by Paramount Pictures on May 8, 2026.[3]

Background

Billie Eilish announced the release of her third studio album, Hit Me Hard and Soft, on April 8, 2024.[4] On April 29, a few weeks before the album's release, she announced the dates for Hit Me Hard And Soft: The Tour. The announcement was followed by a tour trailer posted on her official YouTube account consisting of a compilation of videos from her previous concerts and a teaser of the song "Lunch", which she previously teased during Coachella Festival.[5] She announced 81 dates across North America, Oceania, and Europe. On September 30, she announced two additional dates for Inglewood to be held on December 20 and 21 at the Kia Forum, bringing the total to five shows at the venue.[6]

On May 19, 2025, Eilish announced two shows in Japan and a second North American leg.[7]

Ticketing

Tickets for the tour were sold primarily by Ticketmaster and the sales for the US leg started on April 30, with a pre-sale for American Express Card Members only. There were some additional pre-sales throughout the week, with remaining tickets sold during the general sale, which began on May 3.[8]

To prevent ticket scalping, Eilish used Ticketmaster's Face Value Exchange, where those who purchased tickets could only resell their ticket for the same price they initially paid. Eilish also chose to make the tickets mobile only and restricted from transfer. To further support fair access, ticket delivery was delayed until two weeks prior to the date of the concert.[9][10]

Critical reception

The tour was received with rave reviews from critics. Lindsay Zoladz of The New York Times praised Eilish's ability to bringing the intimacy of her songs to the arena stage, noting Billie "suddenly transforming acoustic numbers into arena-rocking power ballads and playing the adoring audience like a well-tuned instrument".[11] Melissa Ruggieri of USA Today pointed Billie's authenticity with her audience, saying that "There is no artifice to her. No questioning her level of sincerity when she tells fans at the end of the show, 'I will always cherish you ... I will always fight for you'".[12]

Writing for The Guardian, Rob LeDonne complimented Billie's ability to connect with the audience, calling her "the master of playful confidence, a quality on full display".[13] Kyle Denis from Billboard highlighted the fact that Billie plays multiple instruments throughout the show, showcasing her ability on piano, acoustic guitar and electric guitar: "From writing to acting, the world has been getting familiar with Billie's countless talents for years — but seeing her flaunt most of them in one setting never gets old".[14]

For Variety, Chris Willman called Eilish "a special gift (...) to the pop landscape", complimenting her vocals during the show and noting that she became "one of pop's best vocalists".[15] Brendan Hay of Spin wrote that every element of the show "highlighted her unique ability to blend pulse-pounding beats with gentle vocals for a vibe I can only describe as 'grandly intimate'".[16] While Deadline's Anthony D'Alessandro pointed that the show has a lot of standout moments, noting that Eilish "performance wattage is what's bedazzling in how she can take the singles from her recent chill, self-reflective album Hit Me Hard and Soft and turn them up onstage to 11 (in Spinal Tap volume speak), whether it's bass or belting".[17]

Nui Te Koha from the Herald Sun in Melbourne said that Eilish redefined the meaning of a truly spectacular arena concert with a non-stop multisensory thrill ride. He wrote that Billie is a siren of the times, a natural performer, and deeply cares about her fans. The writer also added that for all the bells and whistles, and there were many, the show always tapped into the essence of a singer-songwriter who crafted, and recorded, significant pop masterpieces in her bedroom and became a global megastar.[18]

The European leg of the tour received rave reviews from critics. Annabel Nugent from The Independent gave 4 stars out of 5 and jokes saying that professional though she is, what she lacks in back-up dancers and choreography, she makes up for in pure, Duracell bunny energy and also showing off an introvert's approach to pop spectacle.[19] Rob Meyers from Clash called Eilish an enigma; a screen first child of her generation, as the show is curated like a Greatest Hits. Rob also added that she is a true talent with the voice of an angel, building a legacy one wounded confessional at a time.[20] Katie Hawthorne from The Guardian also gave 4 stars out of 5 and called Eilish pop's sharpest commentator as she plays with fame's power dynamics and balances intimacy and spectacle, filming her screaming fans as she paces a stage akin to a boxing ring. Katie added that Eilish is the rare pop star just as interested in watching her audience perform, and it feels both intimate and combative to be looked at like that.[21] Thomas Turner from The Line of Best Fit called Eilish the forerunner of Gen-Z as he wrote that she has been a vocal patron and astute commentator for that generation since emerging a now interminable eight years ago, he adds: "Eilish has always had a symbiotic relationship with the zeitgeist and pushed forward the envelope of pop culture". Thomas also noted how much care has been put into the live layout itself, calling her a gladiator on display, hurtling between all vantage points to allow everyone in attendance a near front row seat.[22]

Commercial performance

In Sydney, the tour broke the long-standing single event attendance record previously set by Justin Timberlake's FutureSex/LoveShow 18 years prior at Qudos Bank Arena. The new record set on February 28, 2025, boasted 21,001 attendees, surpassing the previous mark of 20,839 held by Timberlake for the November 13, 2007 show. 3 of the 4 dates broke the previous arena attendance record.[23]

In Prague, the tour broke the single event attendance record previously set by Metallica's WorldWired Tour 7 years prior at O2 Arena. The new record set on June 1, 2025, generated 20,209 attendees, surpassing the previous mark of 20,174 held by the band Metallica for the April 2, 2018 show.[24]

In the United Kingdom, Eilish continued her long-standing relationship with non-profit organisation Reverb for the tour to promote environmental sustainability.[25] This included hosting a Eco Village at The O2 Arena, where fans could learn about taking action on global warming and watch a pre-recorded short film narrated by Eilish.[26] In this venue and at other venues including Co-op Live, Eilish requested that every food vendor only offer plant-based options for the duration of her shows in alignment with her dedication to environmental action.[27]

In 2025, Forbes listed Eilish as the 16th highest paid musician, after playing 70 dates and grossing an estimated $190 million over the past 12 months. She was the youngest member of the year's top earners' club.[1][28]

Accolades

More information Year, Award ...
Awards and nominations for Hit Me Hard and Soft: The Tour
Year Award Category Result Ref.
2025 iHeartRadio Music Awards Favorite Tour Style Nominated [29]
Favorite Tour Photographer[a] Nominated
Pollstar Awards Pop Tour of the Year Won [30]
American Music Awards Favorite Touring Artist Won [31]
Excellence In Concessions Awards Best Sustainability Initiative Won [32]
2026 iHeartRadio Music Awards Favorite Tour Style Nominated [33]
Favorite Tour Photographer[b] Nominated
Favorite Tour Tradition [c] Nominated
Pollstar Awards Major Tour of the Year Nominated [34]
Pop Tour of the Year Nominated
Road Warrior of the Year [d] Nominated
Ticketmaster Awards (Italy) Best Production Design Nominated [35]
Ticketmaster Awards (Spain) Best Tour of the Year Nominated [36]
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Set list

This set list is from the September 29, 2024, concert in Quebec City.[37] It does not represent all of the concerts for the duration of the tour.

Notes

Tour dates

More information Date (2024), City ...
List of 2024 concerts, showing date, city, country, venue, opening acts, attendance and gross revenue[28]
Date (2024) City Country Venue Opening act(s) Attendance Revenue
September 29 Quebec City Canada Videotron Centre Nat & Alex Wolff 17,931 / 17,931 $2,475,992
October 1 Toronto Scotiabank Arena 35,271 / 35,271 $5,349,324
October 2
October 4 Baltimore United States CFG Bank Arena 14,250 / 14,250 $2,484,677
October 5 Philadelphia Wells Fargo Center 18,236 / 18,236 $3,376,805
October 7 Detroit Little Caesars Arena 18,060 / 18,060 $2,887,485
October 9 Newark Prudential Center 17,106 / 17,106 $3,094,655
October 11 Boston TD Garden 16,057 / 16,057 $2,907,737
October 13 Pittsburgh PPG Paints Arena 17,934 / 17,934 $2,805,523
October 16 New York City Madison Square Garden 54,866 / 54,866 $9,498,638
October 17
October 18
November 2 Atlanta State Farm Arena Towa Bird 33,936 / 33,936 $5,338,546
November 3
November 6 Nashville Bridgestone Arena 16,897 / 16,897 $2,824,541
November 8 Cincinnati Heritage Bank Center 16,941 / 16,941 $2,680,660
November 10 Saint Paul Xcel Energy Center 35,547 / 35,547 $5,888,989
November 11
November 13 Chicago United Center Nat & Alex Wolff 36,295 / 36,295 $6,284,841
November 14
November 16 Kansas City T-Mobile Center 17,231 / 17,231 $2,742,517
November 17 Omaha CHI Health Center 14,926 / 14,926 $2,752,120
November 19 Denver Ball Arena 33,691 / 33,691 $5,670,178
November 20
December 3 Vancouver Canada Rogers Arena The Marías 17,228 / 17,228 $2,492,298
December 5 Seattle United States Climate Pledge Arena 32,402 / 32,402 $5,736,051
December 6
December 8 Portland Moda Center 16,938 / 16,938 $2,749,017
December 10 San Jose SAP Center 33,678 / 33,678 $5,611,600
December 11
December 13 Glendale Desert Diamond Arena 17,356 / 17,356 $2,847,233
December 15 Inglewood[e] Kia Forum 83,909 / 83,909 $15,387,674
December 16 Towa Bird
December 17 Nat & Alex Wolff
December 20 Ashnikko
December 21 Finneas
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More information Date (2025), City ...
List of 2025 concerts, showing date, city, country, venue, opening acts, attendance and gross revenue[48]
Date (2025) City Country Venue Opening act(s) Attendance Revenue
February 18 Brisbane Australia Brisbane Entertainment Centre Ashnikko 55,108 / 55,108 $6,705,829
February 19
February 21
February 22
February 24 Sydney Qudos Bank Arena 79,314 / 79,314 $9,644,744
February 25
February 27
February 28
March 4 Melbourne Rod Laver Arena 69,957 / 69,957 $8,274,935
March 5
March 7
March 8
April 23 Stockholm Sweden Avicii Arena Tom Odell 30,483 / 30,483 $3,585,691
April 24
April 26 Bærum[f] Norway Unity Arena 25,293 / 25,293 $3,061,896
April 28 Copenhagen Denmark Royal Arena 31,050 / 31,050 $3,926,559
April 29
May 2 Hanover Germany ZAG-Arena 14,692 / 14,692 $1,702,077
May 4 Amsterdam Netherlands Ziggo Dome 50,082 / 50,082 $6,106,814
May 5
May 7
May 9 Berlin Germany Uber Arena 16,539 / 16,539 $1,967,510
May 29 Cologne Lanxess Arena 34,975 / 34,975 $3,883,180
May 30
June 1 Prague Czech Republic O2 Arena 20,209 / 20,209 $2,420,530
June 3 Kraków Poland Tauron Arena 38,355 / 38,355 $4,305,383
June 4
June 6 Vienna Austria Wiener Stadthalle 15,988 / 15,988 $2,037,793
June 8 Casalecchio di Reno[g] Italy Unipol Arena 15,342 / 15,342 $1,848,710
June 10 Paris France Accor Arena Lola Young 34,000 / 34,000 $4,464,243
June 11
June 14 Barcelona Spain Palau Sant Jordi Tom Odell 36,447 / 36,447 $4,625,540
June 15
July 7 Glasgow Scotland OVO Hydro Syd 27,840 / 27,840 $4,604,525
July 8
July 10 London England The O2 Arena 114,763 / 114,763 $19,845,671
July 11
July 13
July 14 Magdalena Bay
July 16
July 17
July 19 Manchester Co-op Live Syd 77,931 / 77,931 $12,724,050
July 20
July 22
July 23
July 26 Dublin Ireland 3Arena 24,630 / 24,630 $3,741,599
July 27
August 16 Saitama[h] Japan Saitama Super Arena Yoasobi[49]
August 17 Fujii Kaze[49]
October 9 Miami United States Kaseya Center Tom Odell
October 11
October 12
October 14 Orlando Kia Center Young Miko
October 16 Raleigh Lenovo Center
October 17
October 19 Charlotte Spectrum Center
October 20
October 23 Philadelphia Xfinity Mobile Arena 18,997 / 18,997 $3,069,858
October 25 Elmont[i] UBS Arena
October 26
November 7 New Orleans Smoothie King Center Men I Trust
November 8
November 10 Tulsa BOK Center 34,373 / 34,373 $5,060,951
November 11
November 13 Austin Moody Center
November 14
November 18 Phoenix Mortgage Matchup Center Lucy Dacus 30,438 / 30,438 $4,673,815
November 19
November 22 San Francisco Chase Center
November 23
Total 1,515,948 / 1,515,948 (100%) $226,169,004
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Footnotes

  1. The nomination recipient is Henry Hwu.
  2. The nomination recipient is Henry Hwu.
  3. "When the Party's Over" silent loop.
  4. The nomination recipient is Nicole Massey.
  5. Labelled as Los Angeles in promotional material.
  6. Labelled as Oslo in promotional material.
  7. Labelled as Bologna in promotional material.
  8. Labelled as Tokyo in promotional material.
  9. Labelled as Long Island in promotional material.

References

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