How to Rule the World
2026 Nonfiction book by Theo Baker
From Wikipedia, the free encyclopedia
How to Rule the World: An Education in Power at Stanford University is a nonfiction book written by Theo Baker that provides a critical look at the culture of Stanford University from his perspective as a brand new computer-coder student, age 17. As a student reporter, Baker was instrumental in the investigation and subsequent disgraced resignation of Marc Tessier-Lavigne, the Stanford University President. The book was published by Penguin Press in May 2026. [1][2][3][4] According to the Washington Monthly, this work succeeds as an investigative report, an ethnographic study, and as a memoir.[5] Baker took two terms off in his junior year to write this book.[6]
2026 Penguin Press book jacket | |
| Author | Theo Baker |
|---|---|
| Audio read by | Theo Baker |
| Cover artist | In house Penguin Books |
| Language | English |
| ISBN | 9780593832837 |
| OCLC | 1579797578 |
| Website | Official website |
Parallels
Reviewers reference various parallels between this book and other works, such as the exposé nature of this book and Liar's Poker,[1] and the metaphorical journey to Silicon Valley as the "molten core" of our troubled times, alluding to Jules Verne's Journey to the Centre of the Earth.[1] Then there is the current trend of seeing technology moguls as comparable to the robber barons of the Gilded Age,[3] as well as this book, How to Rule the World, as memoir noticeably similar in structure to Scott Turow’s "iconic" freshman law school journal One L.[3] Also, All the President's Men by Carl Bernstein and Bob Woodward,[2] as well as Sarah Wynn-Williams' Facebook exposé Careless People.[2]
Film adaptation
In November 2023, Warner Bros and producer Amy Pascal secured the rights to the film adaptation of this book.[7][8][9]
Reception
Writing for The New York Times, Anand Giridharadas says, "Baker’s first book, How to Rule the World, is a rigorous, self-assured, propulsive, at times terrifying portrait of a dweebocracy that “sets the agenda for the planet.” In every age, there is some place that epitomizes how power works. Baker’s Stanford is a strong candidate, and his book follows in the tradition of Michael Lewis’s Wall Street chronicle “Liar’s Poker,” but with more pimples and less eye contact.[1]
The reviewer for the San Francisco Chronicle, Lily Janiak, says, "As excellent a journalist as Baker turns out to be, he’s less successful as a memoirist, whose task isn’t to build a case but to tug the strings of the self’s knot... For now, though, what a journalist. If Baker’s portrait of Stanford could be its own movie...is gripping account of how a tip turned into a history-making investigation has the makings of All the President’s Men."[2]
Laura Miller of Slate magazine says, that this is "A crackerjack newspaper story ... Terrific ... Baker’s account of assembling the Tessier-Lavigne reporting illustrates how meticulous investigative journalists work ... How to Rule the World is a coming-of-age story, a campus story, and a newspaper story, but above all, it’s a horror story."[3] The Times (UK) says, "It’s enough to make your average embittered hack (me) feel queasy ... Baker’s book is a thrilling story of journalistic investigation: effectively, it’s All the President’s Men as a campus novel."[10]
Alex Bronzini-Vender, reviewing this book for Washington Monthly, says "Baker’s disdain for his subjects is, too often, an obstacle to understanding them... On Baker’s account, [rampant] misconduct in students’ economic and academic lives... flows from a culture of impunity that has long pervaded the university’s upper ranks ... It’s a persuasive argument... But Baker is not above a little overclaiming of his own ... [He] has a good sense of humor. But his impulse to play those around him for comedic effect weakens his analysis of Silicon Valley’s politics, too: his subjects become strawmen."[5]
According to the Los Angeles Times Book Review, "How to Rule the World offers us the racy joys of television shows like Mad Men or Suits, with a good dose of The Social Network thrown in. There is something oddly retro about its style and about the Stanford it depicts. But this retro aesthetic slowly unfolds into something altogether darker. The voice at times reminds me of an earlier cult classic in American literature, J. D. Salinger’s The Catcher in the Rye (1951), with Baker as Holden Caulfield teleported to Stanford in 2022."[4]