Inside Amir

2025 drama film From Wikipedia, the free encyclopedia

Inside Amir (Persian: درون امیر, romanized: Daroon-e Amir) is a 2025 Iranian drama film written and directed by Amir Azizi.

Directed byAmir Azizi
Written byAmir Azizi
Produced by
  • Amir Azizi
  • Elham Azizi
  • Ali Azizi
Starring
  • Amirhossein Hosseini
  • Nader Pourmahin
Quick facts Directed by, Written by ...
Inside Amir
Directed byAmir Azizi
Written byAmir Azizi
Produced by
  • Amir Azizi
  • Elham Azizi
  • Ali Azizi
Starring
  • Amirhossein Hosseini
  • Nader Pourmahin
CinematographyAli Ehsani
Edited byAmir Azizi
Music byDelaram Kamareh
Production
company
Fog Films
Release date
  • 2 September 2025 (2025-09-02) (Venice)
Running time
98 minutes
CountryIran
LanguagePersian
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The film had its world premiere in the Giornate degli Autori section of the 82nd Venice International Film Festival, where it won Director's Award, the section's main prize.

Plot

Cast

  • Amirhossein Hosseini as Amir
  • Nader Pourmahin as Nader
  • Hadis Nazari as Tara
  • Nariman Farrokhi as Nariman
  • Pirouz Nemati as Pirouz
  • Sohrab Mahdavi as Uncle
  • Elham Azizi as Mother

Production

The film was produced by Fog Films.[1] It is loosely based on Azizi's personal experiences.[2] The director described it as "a quiet meditation on the emotional distance between staying and leaving – not about what's right or wrong, but what remains unresolved".[1]

Release

The film premiered at the 82nd Venice International Film Festival, in the Giornate degli Autori sidebar, where it won the Director's Award.[3][4]

Reception

Eye for Film's critic Amber Wilkinson praised the film, describing it as a "sensitive exploration of relationships" and noting "it's easy to undervalue this kind of writing in cinema, since it offers a humanistic exploration of existential themes rather than hinging on dramatic developments".[5]

Marc van de Klashorst from International Cinephile Society referred to the film as a "character study", "a love letter to the city of Tehran and its people", and also "a keen observation on male vulnerability", that "has its own rhythm and more than a tinge of melancholy while being very light on plot".[6]

For this film, Azizi got a nomination for best director at the 18th Asia Pacific Screen Awards.[7]

References

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