Iván Hevesy
Hungarian art theorist
From Wikipedia, the free encyclopedia
Iván Hevesy (Hungarian: [ˈivaːn ˈhɛvɛʃi] ⓘ; 7 December 1893 – 29 January 1966) was a Hungarian literature, photography and film theorist. Hevesy is best known for his pioneering role in the history of the Hungarian avant-garde.[1][2][3][4]
Botar, Oliver A.I. (2006). Technical Detours: The Early Moholy-Nagy Reconsidered. New York: Art Gallery of the Graduate Center, the City University of New York. pp. 18–19. ISBN 978-1599713571. Botar, Oliver (2008). "Review: Films by Lászlo Moholy-Nagy, by László Moholy-Nagy; Ein Lichtspiel schwarz weiss grau; Impressionen vom alten marseiller Hafen (Vieux port); Berliner Stilleben; Architects' Congress; Lobsters; The New Architecture and the London Zoo; Gross-Stadt Zigeuner; and Do Not Disturb". Journal of the Society of Architectural Historians. 67 (3). University of California Press: 460–462. doi:10.1525/jsah.2008.67.3.460. JSTOR 10.1525/jsah.2008.67.3.460. Sebeok, Thomas A.; Umiker-Sebeok, Jean (2012). The Semiotic Sphere (7 ed.). Boston, MA: Springer Science & Business Media. p. 281. ISBN 9781475702057.
