Jacob Bates Abbott
From Wikipedia, the free encyclopedia
- Wildlife painting and drawing
- Bird illustration
Jacob Bates Abbott | |
|---|---|
| Born | November 11, 1895 |
| Died | July 14/15, 1950 (aged 54) |
| Alma mater | Harvard University |
| Known for |
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| Children | Jackson Miles Abbott, Jaclyn Ruth Abbott |
| Signature | |
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Jacob Bates Abbott (November 11, 1895 – July 14/15, 1950) was an American wildlife artist and illustrator, birder, and conservationist. Born in Brookline, Massachusetts, Abbott served as a second lieutenant in the US Army during the First World War before establishing himself as a prolific artist and illustrator for ornithological field guides, magazines, and books.[1][2][3] He was an Associate of the American Ornithologists' Union and was described by Arlie W. Schorger as one of America's "foremost wildlife artists."[2]
From 1914 to 1916, Abbott attended Harvard University, where he was an editor and illustrator at the Harvard Lampoon.[1][4]
In May 1917, he entered the Army's Officer's Training Camp at Fort Niagara and was commissioned as a second lieutenant in August of that year.[1] He was deployed in France in 1918 as a machine gun officer with the 112th Infantry and fought at the Battle of Château-Thierry.[1][2] Toward the end of the battle (on July 17) he was the victim of a chemical attack, following which he spent five months in a hospital; he was discharged from the Army in January 1919.[1][5]
After leaving the Army, Abbott worked for a time as a bond broker, while illustrating on the side.[6] He moved to California in 1929, where he worked as a cartoonist, illustrating a comic strip called The Gay Stone Age.[6]
Artistic career

From the mid-1930s until his death in 1950, Abbott dedicated his artistic efforts almost exclusively to wildlife painting and illustration.[2] In that time, he illustrated several ornithological field guides and created works for magazines and other publications, including children's books.[4][7][8][9][10] One of his works was requested for a collection of wildlife paintings by the Library of Congress during his lifetime.[2]
Magazines
In the early 1930s, Abbott moved back to New England, where he became the art director of Yankee Magazine in Dublin, New Hampshire.[4] Two of his nature paintings were later featured as covers of The Saturday Evening Post (March 23, 1935 and June 10, 1939).[4] He also painted a cover for National Sportsman (November 1937) and a map of American state birds, trees, and flowers for Look Magazine.[11][12]
From 1941 to 1949, Abbott worked closely with Pennsylvania Game News, a publication of the Pennsylvania Game Commission, for whom he painted cover art and drew many illustrations.[2][13] He also created bird-identification posters that are reproduced in the pamphlet Pennsylvania Birdlife.[14] During this time he lived in Haverford, Pennsylvania.[2]
Field guides and bird books
Abbott illustrated several ornithological field guides and a bird encyclopedia written by Leon Augustus Hausman, a professor of Zoology at Rutgers University's New Jersey College for Women: in particular, he illustrated the Field Book of Eastern Birds and Birds of Prey of Northeastern North America, and he produced over 700 illustrations for The Illustrated Encyclopedia of American Birds.[7][8][9] American ornithologists Herbert Friedmann and Josselyn Van Tyne had generally positive reviews of his illustrations for the 1946 Field Book.[15][16]
Abbott also illustrated the children's book Birds at Home by Marguerite Henry.[10] A reviewer of the book in The Quarterly Review of Biology wrote that his twelve full-color plates "would make a worthy addition to any bird lover's library."[17]
Other art and collections
Abbott illustrated many books and other publications throughout his career. Three non-wildlife etchings by Abbott are currently held in the Princeton University Art Museum.[18]
A folder on Abbott is kept at the Smithsonian Institution, and his papers are housed in the University of Pittsburgh Library's Archives and Special Collections.[19][20][13]

