James Hand (musician)
From Wikipedia, the free encyclopedia
James Hand | |
|---|---|
| Born | July 7, 1952 Waco, Texas, U.S. |
| Died | June 8, 2020 (aged 67) Waco, Texas, U.S. |
| Occupation(s) | Singer, songwriter |
| Musical career | |
| Genres | Country, honky tonk, texas country, neotraditional country |
| Instruments |
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| Labels | |
James "Slim"[1] Hand (July 7, 1952 – June 8, 2020) was an American country music singer and songwriter. His musical style was often influenced by earlier honky Tonk and Texas country music acts such as Hank Williams, George Jones, and Lefty Frizzell.[2][3][4]
James Edward Hand was born on July 7, 1952, in Waco, Texas.[5][6] He was raised in the community of Tokio in McLennan County, Texas,[6] and took to guitar playing and singing when approximately twelve years old. He worked in various jobs, including horse training and driving a truck. About his work with animals, Hand said, “People act like it’s some big deal, like this whole horse whispering thing. But I’ll tell you something – you can whisper to ’em, you can get down on your knees and act like ’em, but the horse knows you ain't a horse."[7]
Career
As a teenager, Hand joined a small band and began performing in honky-tonks and roadhouses across Central Texas. At some point he started to write and perform his own songs.[8] After many years of live performances, he released his first album in 1997, when he was 45 years old.[9]
In 2014, Hand played a fictional version of himself in the independent film Thank You a Lot. The Austin Film Society's website noted that Hand and co-protagonist Blake DeLong, playing his son, had a chemistry that was "hilariously realistic".[10]
About the life he sings about, Hand once remarked: "I don't know if I've been more blessed or cursed. But I've been diversified."[11]
Critical appraisal
His music reportedly can match the "rigor" of historical performers of country music, "with the slightest touch of outlaw bluster," while his voice can be "uncertain in moments."[12] On the release of his first album, one reviewer wrote that Hand "sings the songs as if he has lived every minute of them,"[13] while The Washington Post's reviewer called him "the real deal,"[14] a view shared also by Willie Nelson.[15]
