Jerri Winters
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Jerri Winters | |
|---|---|
 Winters in 1952 | |
| Born | circa 1930 Terre Haute, Indiana |
| Occupation | Jazz singer |
| Spouse | Willie Thomas |
Jerri Winters (born c.1930)[1][2] is an American jazz singer. She is most known for her partnership with Stan Kenton's orchestra from February 15 until June 15, 1952, recording several titles for Capitol Records, including "Adios," "All Because of You," and "She's a Comely Wench."[3] Winters released several solo albums, including Winter's Here in 1955 on Fraternity Records (the first recording to be released by that label),[4] Somebody Loves Me in 1957 on Bethlehem Records, and Winters Again in 1962.
Career
Winters began her career in 1948 when she won top honors in Horace Heidt's Youth Opportunity Program, a national radio talent contest broadcast on NBC that scouted young performers for prizes and professional opportunities.[7] Each person who performed their own song would win $5000 and a chance to tour as a singer with Horace Heidt's band.[2] Jerri won first prize and went on tour with Horace across the country, projecting her into the spotlight. Later, she moved to Chicago, where she worked as a model and a dance instructor at Arthur Murray’s dance studio and performing at various nightclubs, allowing her to develop her vocal technique and phrasing, which were akin to other famous jazz vocalists such as Anita O'Day.[2] She auditioned for multiple bands in order to become the star vocalist as she continued to develop her singing ability which gained a "husky" quality and in 1952, she was chosen to join Stan Kenton's band on a program sponsored by disk jockey Gene Norman. She joined Stan Kenton's band later that year with bandleader Kenton looking for a new vocalist to replace June Christy in his band. Having developed her tenure at various Chicago nightclubs, Winters was an easy pick for vocalist. Her first major performance with the band debuted at the Oasis nightclub in Los Angeles on February 25. She stayed with Kenton's orchestra from February to June 1952. Her vocal style was praised by many as a "good fit" for Kentons' innovative sound, following in the shadows of singers such as Anita O'Day and June Christy.[8] She toured with Kenton's band, performing at various venues. Following her brief tenure with Stan Kenton's orchestra, Winters transitioned to solo work by establishing herself in New York City's East Side nightclub scene, in venues that suited her distinct vocal style and silky, dusky timbre, earning her the nickname, "The Girl with the Mink-Lined Voice". Downbeat Magazine critiqued her vocals as having a "good sound" and that she "phrased well".[9] Winters retired from performing in 1969, marking the end of a nearly two decade long career. In 1981, she made a brief comeback, singing in various jazz clubs in Los Angeles.[10] She continued performing until 1984, where she quit performing altogether.
Personal life
In the 1950s, Jerri Winters married jazz trumpeter Willie Thomas (1931-2019), whom she met during their involvement in the New York jazz scene.[11] The marriage lasted for 7 years, coinciding with Winter's partnership with the Al Belletto Sextet. Willie served as the trumpet player for the band.[12] After her official retirement from performing in 1984, little is known about her life thereafter; with her presumably living a private life.
