Jo Coppola

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Born
Josephine Coppola

(1920-02-22)February 22, 1920
Brooklyn, New York, U.S.
DiedOctober 22, 1982(1982-10-22) (aged 62)
EducationHoly Name School
Bay Ridge High School
OccupationNewspaper columnist
Jo Coppola
Born
Josephine Coppola

(1920-02-22)February 22, 1920
Brooklyn, New York, U.S.
DiedOctober 22, 1982(1982-10-22) (aged 62)
EducationHoly Name School
Bay Ridge High School
OccupationNewspaper columnist
Years active1944 - 1959

Josephine "Jo" Coppola (February 22, 1920 – October 22, 1982)[1][2][3] was a prominent 1950s American columnist and television critic,[a] employed by Newsday and the New York Post.[8][9][10] She was the first TV critic Newsday ever had,[11] and also wrote for Commonweal,[12] and others.[b]

Born and raised in Brooklyn, Coppola was the youngest of six children born to Anna (née Capiello) and watchmaker Francesco Coppola.[15][16][17][18] A frequent correspondent with columnist / children's author Elsie-Jean, Coppola attended Holy Name School and Bay Ridge High School, graduating in 1938.[19][20][21][22]

In 1959 she wrote the script for the short film Summer of Decision, a 30-minute-long film produced by the Council on Social Work Education, directed by William A. Graham and starring Suzanne Pleshette, Kevin McCarthy and Nicholas Pryor.[23]

In April 1973, Coppola, along with William Casselman, Nathan W. Goldstein, and Arthur Sylvester, was named to the Board of Governors of the Society of the Silurians.[24]

Death

Coppola died at the age of 62, on October 22, 1982.[1]

Notable quotations

  • Good comedy is social criticism—although you might find that hard to believe if all you ever saw were some of the so-called clowns of videoland.... Comedy is dying today because criticism is on its deathbed ... because telecasters, frightened by the threats and pressure of sponsors, blacklists and viewers, helped introduce conformity to this age... In such a climate, comedy cannot flourish. For comedy is, after all, a look at ourselves, not as we pretend to be when we look in the mirror of our imagination, but as we really are. Look at the comedy of any age and you will know volumes about that period and its people which neither historian nor anthropologist can tell you.

    as quoted in The Realist issue 1, 1958[25]

  • "Please be assured...of our continued efforts to avoid giving offense to any segment of our viewing public." [...] this edict would mean death for true comedy. A comedian, for instance, could satirize war only if he didn't offend nuclear scientists, the Army, the Navy, the Marines, the State Department, certain businessmen and our veterans... true comedy... must induce self-laughter, which is nothing but mature criticism. Since we live in an age when criticism is not welcome, is it any wonder then that true comedy, which reflects its age, is dying?

    Commonweal[26]

Notes

References

Further reading

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